2KDenmark has announced that they will be releasing their new Shopping app, Heap, next month on September 1.
Heap is a shopping companion app that allows you to create shopping lists, get suggestions, and reorder items easily. The app uses high quality pictures to make it easy and fun to fill your shopping list, and the app is customizable. You can choose your language, color scheme, and even add your own pictures. Planning a party? You can share your shopping list with friends via SMS, email, and eventually the cloud.
Check out Heap on September 1 for free on the App Store.
With a brand new Star Wars trilogy on the horizon, prepare yourselves for Disney and George Lucas’s space fantasy throwback to be more omnipresent than ever before. So it should come as no surprise that new adventures in that galaxy far, far away are coming to mobile as well. The latest example? Star Wars: Commander. We check to see how strong the Force is with this upcoming strategy game in this edition of It Came From Canada!
As much as its creators try to deny it, Star Wars: Commander is Clash of Clans with the Star Wars license. Players begin as independent Tatooine mercenaries who have unfortunately gotten on the bad side of powerful gangster Jabba the Hutt. So to survive, players can either join the Empire as it continues conquering the galaxy or make friends with the Rebels heroically struggling for freedom. Whatever they choose, players then begin building their base and taking on missions.
At their headquarters, players can upgrade new structures and droids to help bolster their forces. Depending on what faction they choose, hero units like Han Solo or giant death machines like AT-ATs will be at their command. With these units, players take on the light real-time strategy missions that make up the game’s single-player campaign. They can also ally with other players or launch offensives against them. However, that means they must remember to keep their own base safe as well by constructing defensive walls and turrets along with deploying strategic air strikes. The missions themselves are brief, easy, and mostly just focus on destruction, but it’s lame how any units brought in can never be used again even if they survive. It leads to needlessly conservative play.
But again, all of this will be familiar to Clash of Clans players. This is mostly just an elaborate Star Wars skin. However, it is hard to deny how great a skin that is. The character models, sound effects, and musical cues are not only fantastic, but almost overwhelmingly nostalgic for the original trilogy.
If this is all part of the master plan to get people excited about Star Wars again, it’s working. Star Wars: Commander is currently in a soft launch phase and will coming to a galaxy near you very soon.
Not Doppler has announced that Earn to Die 2, a sequel to their successful game Earn to Die, will be making its way to the App Store later this year.
This new game will feature a Story Mode five times longer than the original and ten new, completely destructible vehicles. The game is also set in a new urban environment, with levels containing multiple tiers of highway overpasses, tunnels, and zombie-filled factories.
Earn to Die 2 is set to ram onto the App Store later this year.
With its use of well-established tropes like endless flying and sci-fi space shooting, the upcoming Galaxy Dash: Race to the Outer Run most likely won’t confound expectations. However, with its robust amount of opportunities for fun player interactions it might just exceed them. We check out this new great space coaster in the latest edition of It Came From Canada!
Galaxy Dash has the typical infinite runner set-up: players control a ship and try to fly out as far as possible, hopping between the three lanes to avoid enemies and obstacles. But from that familiar framework, the game then introduces a lot of interesting small details that add up to something greater. For starters, players can shoot lasers to bring down bogeys or bust open gem-filled asteroids. However, the weapons need recharging so players must plan their shots carefully. Part of that includes paying attention to the snaking nature of the lanes. Shots always go out straight, but players themselves will be at the whim of their looping path. The way larger deadly asteroids casually intersect also adds to the cool feeling of naturalism.
But players’ options aren’t limited to pure offense. In between rounds, they can upgrade various aspects of their ship or purchase new models. One upgrade path lets players increase the speed of their shield, which charges throughout each run and can soak up a single hit. Or players can choose to upgrade their cargo. Each run is littered with crates – some lying out in the open and others attached to special enemies. Depending on their capacity, players can pick up these boxes and earn extra points by carrying them to the checkpoint outpost separating each section. Finally, players can recruit allies who leave special power-ups for them to find, like deadly double lasers. Tying Galaxy Dash‘s surprising amount of gameplay choices together is the clean, colorful art style. What looks to be cel-shading gives beautiful depth to images that could’ve seemed flat otherwise.
Again, Galaxy Dash won’t feel like some radically innovative experience once it fully launches – it does things players have seen before. However, it’s hard not to appreciate how well and how intelligently it executes those familiar ideas.
When the evil alien invaders inevitably come, it’s pretty much guaranteed that only the pure innocent hearts of children can save us – or at least children as well-armed as the cast of “Attack the Block.” So we might as well start preparing now with Scrap Force, an upcoming turn-based strategy game where children use alien power to protect the planet with homemade weaponry. We find out just how much kids rule in this latest edition of It Came From Canada!
Scrap Force consists of a lengthy series of turn-based battles between plucky neighborhood kids and evil alien Obliteroids. Each match is one-on-one with two teams of six facing each other using three lanes that are two-units long. Players don’t create units, but rather draw from a shuffled group of heroes to place on the battlefield. At the start of each round, players and enemies are given an increasing amount of power shards. With more shards, stronger heroes can be summoned, so the match escalates no matter what.
The hero variety is really what gives Scrap Force its depth. Every new warrior has his or her own quirks to learn. Some can attack as soon as they are placed. Others steal power shards with each hit. Some kids can move in more directions while others just have more sheer strength. There are tons of strategies and counter-strategies to form using these unique abilities in concert. Skillfully balance these fighters to defeat alien foes and topple their base. Using items like bowling balls and hot dog dynamite helps, too. And with its simple 3D playground characters and environments, the whole thing has a neat Backyards Sports vibe. Except it’s galactic warfare instead of football.
In between rounds, players can summon new heroes and upgrade old ones with the scrap they’ve collected. Downtime isn’t optional either, since the game’s freemium timers keep players from just blasting through the campaign. That means players will be spending a lot of time with these child soldiers. But given what we’ve played so far, that might not be such a bad thing.
So be on the lookout for Scrap Force once it fully launches soon.
According to Joystiq, Armin Ibrisagic of Coffee Stain Studios has announced at GDC Europe today that they are working on bringing Goat Simulator to iOS.
The ridiculously popular game started as joke prototype, but the fan response was so great that Coffee Stain Studios felt compelled to make the wacky goat game a reality. Ibrisagic has reported that game has sold “almost 1 million” copies to date. That’s a lot of goats!
No details have been given on pricing or a release date yet, but we’ll be keeping our eyes peeled.
Set during World War I, the game puts players in control of several different characters as they endure all sorts of hardships in an attempt to survive. And some of them may not achieve that goal. So you’ve been warned: there will be sadness.
The controls have been reworked for touch screens, naturally. You can check out the video below to see it in action.
There’s been no word on a price yet, but it stands to reason that Valiant Hearts: The Great War will be a premium release when it comes to the App Store on September 4.
In 2009 Origin8 released Sentinel, a sci fi Tower Defense game. The app and its following two installments (Sentinel 2: Earth Defense & Sentinel 3: Homeworld) have been consistently highly rated and reviewed. Fans of the series can now rejoice as Sentinel 4: Dark Star has been submitted to Apple for approval.
Sentinel 4: Dark Star will offer players a new campaign with 26 unique maps, an endless mode, new enemies, a huge array of weapons including Uber towers, and the new improved Stronghold. You will also have access to Commander heroes that can earn experience and level-up. As you win you can upload your score to the Global Nexus, which rewards you for furthering the worldwide cooperative push. Origin8 has also retooled the game’s tech to include real-time dynamic lighting and shader effects to give the game atmosphere.
While there is no set release date yet for Sentinel 4: Dark Star, fans take heart as it will not be long now.
If you go to a casino, you might make a lot of money. If you run a casino, you’re guaranteed to make a lot of money. The choice seems pretty obvious. So while waiting for your shady real estate deals to move forward, get prepared with Tiny Tower Vegas, the latest follow-up to the smash hit sim Tiny Tower. We become mini casino moguls in this latest edition of It Came From Canada!
Tiny Tower Vegas will feel instantly familiar to fans of the original. Players build their gambling empire floor by floor while keeping customers happy and business flowing. New floors need new employees, and players can choose between who the best person for the job is and who is the most affordable. Customize the tower by putting pyramids or Greek statues on the roof, changing interior décor, and even sprucing up the elevator design. Players can also upgrade the elevator’s speed since they’ll be operating it by hand quite often to get guests where they want to go. And it’s all presented in the same great, low-key pixel art style.
But of course, the Las Vegas setting comes with its own demands – even if this seems based on new, classy, family friendly Vegas instead of old, seedy, good Vegas. While some new floors will be the occasional taco bar in need of restocking, the gambling is where the real action lives. Players can try their luck on slot machines and earn extra cash alongside customer revenue. Once the hot streak ends, would-be pit bosses can check up on how their “bitizen” guests are doing by reading the “BitBook” social network, or just sit back and watch the fireworks – the only things brighter than the massive glowing signs.
Current Tiny Tower players shouldn’t expect Tiny Tower Vegas to completely reinvent the wheel after its soft launch phase. It’s got some new ideas, so it’s not just a reskin, but it’s so close to the original it’s more spin-off or expansion pack than sequel. But you can decide for yourself once it fully launches.
For all the hate that it gets for being a pastime for slackers, skateboarding really does require a lot of skill. All those flips and spins take real athleticism, and there’s all the jargon to memorize. Fortunately for us less extreme individuals, Epic Skater makes things a lot simpler by handling all that pesky “moving” business. We check out this upcoming endless runner – or skater, rather – in this edition of It Came From Canada!
Epic Skater always starts with its kid hero bursting out of a dusty old classroom to go skate in the big city. But from there, the game randomly strings together its environments to create a slightly different experience each time. Certain sections will become familiar, but changing the order keeps players on their toes, and their toes on the board. The different backdrops are also lovingly detailed, whether it’s the giant “Epicwood” sign or the various restaurants players skate by after emerging from the sewers. And it’s all brought to life in a colorful, fast-paced, 3D cartoon world.
As an endless runner, the only goal is to make it as far as possible without stumbling over an obstacle. But what’s the fun in that? The real goal is to get as high a score as possible using the game’s fairly robust, Tony Hawk-style trick system. Swiping or holding down on the screen in various ways will trigger all kinds of unique flips, spins, and jumps. Players can chain moves together through manuals, or if their timing is really precise, hop right onto a grind rail in the background. The game gets quicker the longer it goes on, and soon players will be leaping over massive gaps at breakneck speeds. They might even start to worry for the kid – especially after watching some of the gnarly failure animations.
Between runs players can use the coins they’ve gathered to upgrade their board, or buy boosters at the start of each round. With real money they can also buy energy drinks to continue a failed run without losing any points. But as far as freemium elements go, that’s pretty inoffensive. Plus, by paying attention to the achievement system players can earn most of the experience they need to take their skater to the next level without crutches.
Currently, Epic Skater is only available in countries like New Zealand as part of its soft launch phase. But expect it to shred its way onto App Stores everywhere soon.
Bio Inc. is an evil game. It can make players feel legitimately guilty. It’s not only about killing, but killing as subtly and fiendishly as possible. It’s about death as inevitability. After blackening our hearts and poisoning our souls, we’re here with the autopsy in this latest edition of It Came From Canada!
Remember the villainous virus from Osmosis Jones that took pride in killing people as fast as possible? That’s basically Bio Inc.’s premise. Players dive into the body of some unsuspecting sucker and try to end their life quickly and efficiently. It’s like Trauma Center in reverse. At the start of each round, players hop between different body systems, like the brain and the skeleton, harvesting minor bacteria like resources in a strategy game. From there, they use the points they’ve acquired to unleash new ailments like the flu and insomnia. As new symptoms take their toll, players can climb further up the tech tree discovering even stronger ways to cripple their victim’s heart or immune system defenses. They can even unlock bonus risk factors to buff their attacks like making the victim smoke or eat junk food.
But as in real life, killing in Bio Inc. isn’t that simple. Eventually the victim will go to the doctor and start receiving care. Once that happens, their recovery meter will start to go up. As the player’s attacks become more vicious and more systems start to fail, the doctors start working even harder and recovery increases faster. The game then becomes a race against time to murder the mark before the doctors can save them. Players can even use downright abhorrent sneaky tricks like making the doctors go on strike and halt recovery.
What’s most diabolical about the game though is how its deep strategic elements make players thoughtfully plan out their dirty deeds. Target one system aggressively or spread out the infections? Pepper the body with little diseases or save up points and release The Big C? Each new victim also has specific traits like high stress or a family history of genetic deficiencies. Exploiting these facts is crucial, especially on higher difficulties. Players can even name their targets for maximum meta cruelty.
The horror inherent to the premise is only slightly blunted by a few funny voice clips accompanying each new development. Upping the victim’s age to over 60 sounds especially, hilariously painful. But beyond that, the game pulls no punches while forcing players to watch their victim’s body slowly breakdown through the harsh, clinical interface.
Bio Inc. isn’t available yet, so fortunately we have some time to brace ourselves for the complete extent of its malice. Once it fully launches though, it just might spell the end for our current age of innocence.
Sebastian Gosztyla, a programmer for such games as Guilty Party and Avengers Initiative, wanted to make games less escapist and more interactive with other human beings. After experimenting with different gameplay styles he has come up with Dual.
The game involves two players and each of their screens make up half of the play area. Players fling missiles at each other and attempt to doge them by physically moving and tilting their phones. The game communicates between phones using bluetooth or wifi on the iPhone and Android, which makes it a great play-anywhere-anytime game.
There is no set release date, but Sebastian Gosztyla is hoping to make Dual available sometime near the end of summer.
It’s always easy to be way too cynical when it comes to free-to-play games, and when Tony Hawk’s Shred Session was announced there was certainly some thought that it could be a cheap licensed affair. Well the game has soft-launched in New Zealand, so I put on my helmet, grabbed my board, and found out this is a more casual game – but not a cash-in.
The game is set up as a lane-based runner a la Subway Surfers, but it truly is just a Tony Hawk game set up in that vein of being friendly for mobile and casual play. Levels include ramps, rails, and even half pipes. Tricks can be strung together through the gesture-based system for grabs, flips, and grinds. Extended gestures exist for more complicated tricks. These complicated tricks can be unlocked and bought with coins over time as players level up, or unlocked instantly with bucks (the hard currency).
The game takes place in two modes: Shred Session and Survival. Shred Session is a level-based mode where each level tasks players with short-form goals to chase after. Some levels involve scoring a certain number of points before the timer or level runs out. Others involve collecting a certain number of orbs, collecting time tokens, and participating in trick-offs with other skaters where the prescribed tricks must be matched. All are managed by a three-star system, with higher scores or more collectibles necessary to get more stars.
While the game is free-to-play, and more advanced tricks will help with combos, it does a great job at not letting the monetization get in the way of playing the game. There are boosts to buy along with new boards and skaters, but purchases largely feel optional instead of necessary. Having no energy system helps out a lot, too. Given that style is a huge part of skating culture, I can see cosmetic upgrades contributing to the game’s moneymaking – particularly as hard currency is needed to unlock many of the skaters and cooler tricks early on. But there’s no replacement for skill.
While certainly the monetization could change, it seems as if there’s a really interesting core here; one that could appeal to those who like skateboarding games, but want a mobile-friendly experience. We’ll see how the world reacts when Tony Hawk’s Shred Session eventually goes worldwide.
InnoGames, fresh off announcing Rising Generals, has an iPad strategy game currently soft-launched in Canada. Forge of Empires has players building a town, so I grabbed my sword and hammer and set off for the land of maple syrup for this edition of It Came From Canada!
The main phase of the game is town-building: creating new buildings in order to earn more money, or items that can generate more resources such as building points, villagers, gold, and even happiness. There’s a lot to keep track of here. This is all in service of becoming the most powerful town in the world. There’s a leaderboard of players that one can peruse, with guilds that can be joined for cooperative purposes.
Okay, it sounds a bit like Clash of Clans so far. The key difference is that players don’t just send off enemy hordes to battle: they enter a turn-based strategy game with them.
Battles take place on a hexagonal grid, where players can move their units about within their specified range, and can attack enemies within their attack range. There are also defense bonuses for certain terrain types. It’s very basic strategy gameplay, but it’s definitely deeper, even in its simplicity, than most Clash of Clans-esque games. Units start out as Bronze Age soldiers and eventually get up to modern era ones, though this will likely take a long time to get going. Those who check in often and spend their forge points regularly will get to the later eras first.
While there is a campaign against computerized enemies, it’s also possible to interact with other players. These can be in friendly ways: motivation and polishing will help resource generation and production happen at a faster rate. As well, it’s possible to attack other players and plunder one of their buildings. It appears that all battling is asynchronous for now against human opponents.
Players can research new units and types by spending forge points. These recharge over time (or can be bought with gold or diamonds) and by researching new tech trees, new unit types can be had. The tech trees are deep, so people who come back often will be the first to unlock later portions of the game.
While the town-building is very familiar – and the strategy very basic – for this oft-imitated genre spearheaded by Clash of Clans, the relatively-deeper (yet still approachable) combat might be worth checking out once it launches worldwide.
Just announced on Monday, May 19, Super Monkey Ball Bounce also showed its face in the Canadian App Store. This free-to-play game puts a Pachinko and Peggle spin on the game of monkeys in spheres. So, I sealed by plastic ball up tight and crossed the border for this edition of It Came From Canada!
This game is very Peggle-like. It uses many of the same tropes and gameplay setups as Peggle does. The general mission is to pop the various star pegs, with other pegs existing as opportunities to get bonus points, including randomly-placed multiplier pegs. Power-up pegs also exist, which grant an ability based on the selected character, though ones beyond AiAi require playing the game to certain levels to unlock. AiAi’s is a guided line, which is pretty much identical to the first character in Peggle, though other power-ups start to show some variety. Still, this skews closer to the Peggle formula than even what Papa Pear Saga did – though the physics feel a lot more consistent than King’s take on the genre.
How does Super Monkey Ball Bounce operate within the confines of its monetization? The game uses a currency of gold bars, which come with a free supply at the start but are either not earned or only infrequently so. What can be bought with them? Well, there are boost power-ups that players can take into levels with them, including the power-ups of other characters. Also, a slot machine that can be played for every ten spins can get guaranteed win spins for the cost of a few gold bars.
As well, continues can be had for gold bars. That’s likely where the money-making comes in: levels can start to ramp up in difficulty, and the temptation to spend real-world money on gold may just set in. As well, there’s a lives system like Candy Crush Saga (with a level progression map just like it as well), and these run out whenever the player fails a level, though connecting with Facebook friends can earn more lives.
The monetization might be an interesting thing to track at the final release. Super Monkey Ball Bounce is a slow burn early on so it might not make money for a while, or the early part of the game might get a bump up in difficulty. It’ll be interesting to see how Sega approaches this once it releases worldwide.
Mobile gamers know Terry Cavanagh for Super Hexagon, the challenging minimalist arcade game that seemingly begat a hundred more challenging minimalist arcade games. But before that, Terry Cavanagh’s big game was VVVVVV, a gravity-flipping open-world platformer that was also very difficult. A mobile version, while discussed before, may have seemed impossible: after all, being a platformer built around precision, virtual controls aren’t the friendliest situation for this game. But Terry Cavanagh’s taking a stab at it, and the mobile version is nearing completion. And it just might surprise some folks who thought VVVVVV was practically impossible on mobile.
For the uninitiated, VVVVVV takes place in a universe where the player, controlling Captain Viridian, can flip gravity to run along the ceiling as well as the floor. Players have to use Viridian’s abilities to rescue five other missing crew members, along with discovering the “shinies” that are hidden throughout the world.
VVVVVV is a non-linear game, and players can discover it as they so choose. There are no additional abilities to unlock, so unlike a Metroidvania game where progression is hindered until a certain item is obtained anything can be seen and any challenge conquered with one’s own skill. Just be prepared to die a lot. Thankfully, checkpoints are abundant.
VVVVVV presents an interesting controls challenge for touchscreens, though. The game requires being able to swiftly move left then right, but with a third button for flipping. Thus, the game’s default control scheme uses swiping horizontally on the left side of the screen to move Captain Viridian around, with tapping on the right side to flip gravity. As well, there’s a virtual buttons option, and one where tapping on either side of the screen moves that way, and tapping on both flips gravity.
The controls are still very much being tweaked and perfected, but VVVVVV is perfectly playable, and at a skillful level, with these controls. Will this become the preferred version of speed runners? Most likely not, as precise movements are what suffer a bit here just by the nature of virtual controls, but for people enjoying this game for the first time – or once more – the experience should remain true.
VVVVVV itself is fully playable in its current form, with even the player worlds feature from the computer versions available for more challenges once the main game is completed. Various bug fixes and tweaks to make the mobile version work better are what stands between this and its eventual release.
After messing around with giant cubes and social experiments, the famously eccentric game designer Peter Molyneux returns to the God game genre with Godus. This spiritual successor to Molyneux’s earlier game, Populous, is currently in beta on PC and has just soft launched on the New Zealand App Store. We let absolute power corrupt us absolutely in this edition of It Came From Canada!
Witness and shape the beginning of human history in Godus. As a benevolent deity, players will guide their followers from a single hut on a beach at the dawn of time up until around the Roman Empire, although the game could certainly continue from there. The main way to achieve this is by molding the Earth and allowing the population to expand. It’s almost sad mowing down thick forests to let humanity proliferate like a virus, but such is life. There don’t seem to be any threats to the tiny citizens, like predators or natural disasters, so players can just focus on reproduction. As the population grows, the player’s godly power increases – granting them new skills like the ability to shift oceans or terraform more parts of the single, continuous map.
The game unsurprisingly has numerous subsystems as well. More intense god powers, including burning bushes or controlling followers directly through “leashing,” draw from the belief of worshippers. Players naturally gain belief as their small world grows, but it can be purchased using the game’s real-money gem system as well. Players can also purchase sticker packs to activate the special cards they receive with each level up. These cards bestow various bonuses like faster building speeds or the ability to start settlements on different terrain. Fortunately, stickers appear naturally in the world too.
As more of the cold, unconquered North gives way to the player’s bright civilization, players will encounter ships and beacons allowing them to interact with other players online. In fact, the grand prize for finishing 22Can’s previous game Curiosity was becoming the God of Gods in Godus, along with a share of the profits. However, in many ways the game works best as an isolated experience, an entire little world unto itself.
That shoebox diorama quality is accentuated by the game’s almost paper cut-out art style. The solid colors and obvious layers of the landscape may not be realistic, but they’re charming. The same goes for the cute sound effects like the mysterious voices on the wind and the happy little tunes villagers whistle while they work. The distinct layers also make it easier for players to meticulously sculpt the land as they see fit. They can even make terraced steps out of the Earth for followers to climb to higher places, when their spotty path finding works that is. However, it is still a little too easy for fatter fingers to make unintended changes, which is especially annoying when those accidental changes waste precious belief.
Still, Godus successfully captures both the tedium and the power trip of what being an all-knowing, all-powerful force must feel like. Players can get their hands on a world of their own when the game fully launches.
Manila-based Altitude Games has announced their upcoming Run Run Super V. Taking cues from sentai series such as Power Rangers, this game will be an auto-running action game where players form a ranger squad and fight evil without stopping. There are three modes planned: run mode, vehicle mode, and robot mode, with the latter involving one-on-one fights with giant enemies, all using one-finger controls with gestures.
Run Run Super V is expected during the 4th quarter of 2014.
In an App Store chock full of shameless clones, it’s always nice to see a game that expands on its influences instead of just copying them wholesale. Such is the case with Globber’s Escape, now in a soft launch phase, which clearly borrows its basic framework from the classic Pac-Man formula. But fortunately it doesn’t stop there, and we see just how far it goes in this edition of It Came From Canada!
In Globber’s Escape, players guide a circular creature around a 2D maze collecting tiny objects and avoiding patrolling enemies. However, if they collect the right power-up they can turn the tables on their foes and gobble them up, sending baddies back to the center to regenerate. Again, it sounds like Pac-Man. But from that familiar set-up, the game starts diverging in small but clever ways.
Instead of static dots, players devour little aliens that sporadically burst out of different containers on the map and mindlessly roam around the stage. This means players must always be ready to adjust their paths and strategies on the fly. Once all the critters are collected, instead of automatically starting the next round players must manually escape the room by reaching the closest open door. However, this makes them even more vulnerable to agitated enemies like evil mad scientists and almost unfairly unstoppable robots. If players do get caught, they can free Globber using the rare revive hammers sprinkled throughout each map. And when it’s game over for real, the final score goes towards increasing Globber’s level.
In an alternate universe, Globber’s Escape is one of the better arcade games made to capitalize on Pac-Man‘s success. Along with all the mechanical twists, the game has a less breakneck and more strategic pace overall. The control scheme has players creating waypoints for Globber to follow by touching the maze, which reduces the amount of mindless, frantic tapping while still allowing players to course correct easily.
However, for all of its gameplay creativity, Globber’s Escape‘s presentation sadly falls back on generic tropes. The cartoony sci-fi visuals, full of vibrant colors and angular designs, are pleasant but uninspired. The music might as well be non-existent. Some of the dialogue between the chatty tutorial robots is at least kind of amusing in a classic comedy duo way, but the game’s universe isn’t the reason to get invested.
Instead, players should get invested because Globber’s Escape is reassuring proof that cool, new games can still come from slight tweaks to old concepts once considered done to death. They can find out for themselves though when the game launches worldwide soon.
Prepare yourself, AppSpy reports that something Lovecraftian is set to sneak its way onto the App Store tonight. The original 1992 version of Alone in the Dark, widely seen as the game that inspired the survival horror genre, is set to launch tonight – allowing players to take on the role of Edward Carnby or Emily Hartwood once more.
For those unfamiliar with the game, your role is to explore the mansion of Jeremy Hartwood, now deceased. Along the way you’ll need to outwit or overpower supernatural enemies and solve puzzles in order to discover the truth behind Jeremy Hartwood’s death.
Survival horror fans should prepare for the witching hour, when the clocks strikes twelve, as that is when Alone in the Dark is set to arrive tonight for $0.99.
Did you read our Overkill Mafia preview coverage of the soft launch the other day and say to yourself “I can’t wait to play that!” Well, the good news is that you don’t have to wait, as the game will be available worldwide later tonight (typically around 11pm EST, 8pm PST) for free. Bust out the 1920s greatest firepower on some mooks and rule old-school Chicago with an iron fist and an itchy trigger finger.
Krosmaster Arena, the online version of the board game from Anakama and Japanime Games, is getting a mobile version coming in early 2015. This miniatures-based board game has had its online version available via browsers for some time now, but now mobile players will be able to play from anywhere. As well, it will allow players to bring in the figures they already own into the mobile version of the game.
InnoGames has announced their new cross-platform strategy-MMO Rising Generals, designed with the help of Bruce Shelley of Civilization and Age of Empires fame. Built around player-versus-layer combat, players will command planes, tanks, and armored automobiles in worlds that will span 40,000 players each. The game will be cross-platform between iOS, Android, and browser, with support for the same account on different platforms for those who aren’t loyal to one electronics company.
Craneballs is returning to the Overkill well that has helped put them on the map. Where previous games in the series were futuristic alien-shooters, this one takes place in a past version of Chicago, where violent, fedora-wearing, gun-toting criminals roamed the streets shooting at each other and innocents occasionally getting caught in the crossfire. Thankfully such a world no longer exists: there are far fewer fedoras now. So, with the game currently soft-launched in Canada, I made sure not to put ketchup on my hot dog for this edition of It Came From Canada!
As stated earlier, the setup is very similar to past entries in the series in that this is a shooting gallery game. Players are in a stationary position, trying to take out enemies as they come in. The left thumb is used to move the gun by dragging around the screen, and there are fire and reload buttons in the lower-right corner. This is a Prohibition-era setting, so all the weapons are based on that time period, like a Colt 1911. Don’t expect any high-powered assault rifles here, but perhaps a tommy gun or two.
The meat of the game is the level-based progression, where players must survive multiple waves of enemies without dying, earning cash along the way. There are hundreds of levels promised, and interestingly enough, no energy system. At least yet. Right now, it’s possible to play to one’s content.
Along with the fixed levels, there are also reputation battles – such as the game’s endless mode, which also serves as a kind of asynchronous play where players attempt to get higher scores by lasting as long as possible, with more powerful enemies coming in as time goes on. Leaderboards track who’s doing better than whom. This is where buying better clothes comes into play: they grant character upgrades but also reputation multiplier bonuses. These bonuses naturally make it easier to get higher scores. They also serve as lives since every time the player ‘dies’, their multiplier lowers.
Guns can be upgraded with cash, with wait timers for upgrades to be delivered that can be skipped by spending liquor. Liquor is earned occasionally through level-ups, though there’s plenty to spend it on – including health and power boosts in the game itself. The game steadily gets harder, and it’s easy to see where the desire can be cultivated to spend real-world money on more cash and liquor to be more powerful; at least to catch back up to the game’s increasing difficulty.
It will be interesting to see how well people take to another entry in this series, and to one with a different theme than the ever-popular “shoot aliens” motif. And of course, will this make money? Time will tell. I imagine this one will be available worldwide soon enough, but it’s difficult to tell sometimes with soft-launched games. Some take months despite feeling ready, others feel half-baked but are soon available everywhere.
Dynamite Jack, from Galcon and BREAKFINITY creator Phil Hassey, is getting a new free version on May 22. This version will be the same as the paid version, but with ads. Every time that players continue they will see ads, though it’s possible to buy ad-free continue packs: 50 for $0.99, 250 for $2.99, or unlimited for $4.99, which is the same as the full version.
Panzer Tactics HD, bitComposer Games’ upcoming World War II turn-based strategy game, has had its price and release date announced. The iPad version will cost $8.99 and release on May 22. This updated version of the DS original will boast three campaigns, over thirty missions, and over 150 total units across the land, sea, and air.
N-Fusion, developers of Deus Ex: The Fall and Air Mail, have released screens and a trailer for their upcoming game Space Noir, published by Unity Games (the publishing arm of the popular 3D engine). N-Fusion promises to mix the standards of space combat with the noir aesthetic usually reserved for hard-boiled detective stories.
Space Noir is planned to release this summer for PC and for tablets.
Retry, the latest game from the Angry Birds moguls at Rovio, apparently comes from the publisher’s new educational gaming branch. But if that’s the case, the only thing this game teaches is that life is nothing but unending punishment. Prepare for high-flying death over and over again in the latest edition of It Came From Canada!
Retry takes the brutally difficult flight controls of the infamous Flappy Bird but has players navigating finite, designed levels instead of endless rows of pipes. Pressing the screen boosts the player’s plane forward and also aims it up slightly. Meanwhile, letting go causes the plane to fall. With limited control over their speed and trajectory, players have to rely on careful yet confident taps to make it through these death traps. One brush against the environment, aside from water or wind currents, equals instant death. Sometimes the only way forward is a well-timed and skillfully executed loop-de-loop. The name Retry itself refers to how often players will be restarting the game. They’re even forced to look at the ghosts of their past selves, crashed against the walls, as their trial-and-error toils on.
There are a few oases in their desert however. Each level has a handful of permanent checkpoints, but in a devastating twist, they can only be activated if the player has a coin. Most sections between checkpoints have a coin somewhere in them, but they are usually in tough to reach spots – making the game even harder. If players can’t manage that, which is truly understandable, they can also just pay for coins. They can even earn them outside of gameplay by completing easy achievements like crashing a bunch. Overall, the checkpoint system is an intriguing compromise between being fair to the player while still honoring the game’s core commitment to hair-pulling challenge levels.
Sadism isn’t the only thing Retry shares with Flappy Bird. Both games use a chunky, pastel, pixelated art style and peppy music that belie their dark hearts and cruel, true natures. Retry has four worlds with various visual themes like “summer” and “the future.” Expect to see the same skies often though, because while the game has a decent amount of different levels, its difficulty and frequent restarts inevitably lead to repetition. Fortunately, that also means it will be a long time before players experience all the game has to offer.
Retry is currently in a soft launch phase, but once Rovio finishes toying with the Canadians, expect them to unleash their torture on the rest of the world soon enough. With the amount of effort this takes, it’s probably easier to just learn how to fly a real plane.