At their recent Global Gamers’ Day event, Bandai Namco was largely focused on their console and PC offerings for the upcoming year. However mobile still had a small presence, with some upcoming titles revealed by the company – though few were in a playable state at this time.
Windows screenshot, may not be representative of iOS gameplay
The biggest announcement might just be Pac-Man Championship Edition DX+ coming to mobile later this year. The follow-up to the popular take on Pac-Man, which features dynamic levels that change every time a fruit is collected, will feature new game modes, characters, and level designs to try and survive. But it’s still an eat or get eaten world. Expect this one this fall, though it was not playable at the event. Still, the game’s set up for touch controls already on Windows, so it should be a similar experience.
Outcast Odyssey is another upcoming game, though shown only in trailer form. This one resembles Evilibrium‘s tile-uncovering gameplay, and dungeon-crawling is promised, but few details are known beyond that.
Project Unstoppable (working title) is another game that Namco announced with few details available. Check out the teaser trailer below.
Also on tap for the future from Namco include a game called Soul Calibur: Unbreakable Soul, though no details are available for it at all beyond the name. TNA 2, a head-to-head wrestling game based on the Total Nonstop Action Wrestling organization, is expected later this year.
Additionally, Namco is working with Invictus to bring some casual games to mobile under Namco’s label. Froggy Jump 2, already released, is part of this. Froggy Splash 2, a game similar to Burrito Bison and Jumping Finn Turbo is also in the works. A puzzle-RPG called Jewel Fight is also being created by Invictus for publication by Namco, though this one won’t involve cute frogs but rather warriors battling it out by matching gems by twisting around blocks of four gems, similar to Bejeweled Twist.
While details and playable gameplay were sparse at the event, Namco does appear to have a variety of titles planned, and this may not be all – these titles are under the wing of Namco’s American mobile studios, and other international branches may have their own worldwide releases down the road as well.
Rocketcat Games joined our Twitch channel late last week to stream Wayward Souls with us. For the first time, see the first boss of the game defeated, and see large chunks of the second area of the game, the Tower, with a couple of the game’s characters. The game releases on April 24.
We’ve shared YouTube videos of some of the highlights, along with a recap of the entire stream, containing information on the process of the game’s development and what players can expect when it releases.
See the first area of the game defeated with Renee the Rogue:
Renee the Rogue running through the Tower, the second area of the game:
As well, Blythe the Warrior makes a lengthy run through the Tower, but can it be successful? As well, check out some of Wayward Souls‘ hats that will be available, including some of the early adopter hats:
A new action game from Shortbreak Studios called Hellraid: The Escape is scheduled to be released soon, porting the upcoming sibling game for PC (simply called Hellraid) to iOS. In the game, a sorcerer has imprisoned your soul, leaving you to wonder who you are yourself, and how you could possibly rid the world of this evil. The game is a high-quality and well-developed game with great graphics, and hopes to be a fun experience as well even on top of its frightening story premise.
The game has a plethora of features, including a wide variety of challenging puzzles, the graphics quality of its PC brother, a world that’s free to explore, intuitive controls, Game Center achievements and more. Hellraid: The Escape will also support play on a TV via AirPlay or an HDMI cable. The game will have free updates released over time and will not feature any in-app purchases.
Hellraid: The Escape will be available in the App Store for iPhone and iPad on May 15 for $2.99.
Laser Dog Games, creators of the well-loved game PUK, is at it again. This time they’re teasing the upcoming space game Alone. In Alone, you have to use game’s “ultra responsive slide controls” to navigate through caves, rocky outcrops, and falling debris while it becomes ever more claustrophobic as you play.
Alone is an endless runner, and the game’s “procedural worlds” attempt to give the player a sense of making progress through space. The difficulty of Alone rises and falls as you move from planet to planet, with a little bit of down time between each area giving you room to breathe. The game is also said to have a fantastic soundtrack.
Alone will be available on June 26 on iOS, and will be a premium game with no pesky in-app purchases.
Psychoz Interactive, a development house based in France and Canada, has recently announced that the pilot episode for their Survival Horror game, Forgotten Memories, is close to release.
Forgotten Memories has been in production for two years. This first episode (which looks to be a self-contained mini-adventure) is due out on the App Store in the near future for free, with subsequent episodes to be financed via Kickstarter.
Flying Fortress is a upcoming iOS roleplaying game, set in an airship and designed specifically with character narrative, exploration, and strategic battles in mind. The game’s “streamlined” gameplay style allows players to engage with its story at their own pace, only requiring you to use one hand to play. The game comes from Los Angeles-based development studio BoxCat.
It features over 200 cutscenes, 108 collectable characters that will all see a different fate at the hand of your decisions, and 50 craft-able airships that can be customized for best battle performance. Finally, the game sets itself apart from the rest of the iOS gaming world herd as it is completely offline and playable anywhere.
Flying Fortress is expected to land sometime in Q3 of this year on iOS.
One of the problems with the trend of free-to-play games lately is that many games have been merely facsimiles of great ideas. RPG battling without any actual control over the combat. Build an empire and attack other empires, but without much control of attacking or defending. PlunderNauts does not have this problem: it’s a game about being a space pirate where players actually have a lot of control over the space piracy! Backflip Studios currently is testing the game in Canada, so I put on my pirate hat and sailed to the great northern seas for this edition of It Came From Canada!
Players hop from planet to planet, trying to become the galaxy’s top space pirate by defeating other pirates and plundering their planets for gold and antimatter – the soft and hard currencies, respectively. Antimatter can advance wait timers, refill energy, and buy new starships.
However, the bulk of the actual gameplay is real-time spaceship battling. Players tap and drag to move their spaceship around, which is equipped with multiple turrets. When enemies get in range of the turret, players can select them and attack, with turrets having varying restart times depending on their stats. Players and enemies can summon fighters that not only can attack, but also serve as distractions as the turrets must focus on them instead of the enemy. However, players can only summon their fleets of fighters once per match: other abilities that can be equipped to provide in-game boosts can be used multiple times as they recharge. Combat is a game of positioning: getting out of the way of enemy turrets yet keeping them in range for one’s own turrets is key, and early on the ships are often close, doing their awkward dance with each other.
While antimatter can be earned through completing planets, it feels like many of the battleships will require spending money in order to unlock them; especially as it’s difficult to earn antimatter through grinding like you do for gold. There is an energy system, with 5 bars that refill at 20 minutes per bar. This is kind of a shame as while it does make it so that players are compelled to come back, it doesn’t feel particularly necessary – because, hey, buying items to get better does require grinding. As well, the amount of energy players are given is rather small; I’d prefer longer play sessions even with longer recharge times. But of course, as a soft launched game, this could change at any point.
Still, PlunderNauts has a lot intriguing ideas to it that will be interesting to see as it gets balanced and fully-formed for its final release.
Madgarden, the solo developer label of Paul Pridham, is hard at work on Death Road to Canada, his second collaboration with Rocketcat Games after Punch Quest. According to him, the game’s not really ready to show off quite yet – much of the work being done is under-the-hood stuff that will form much of what will be the actual game. But Madgarden doesn’t just stick to one thing: between quickie projects like Chillaxian and Flapthulhu, he also has a variety of prototypes he works with occasionally.
He showed off a couple of them at GDC: Roguebot, a dual-stick shooter with hacking elements and a chill-out pace. As well, there’s Mars Brutalis, an arena-combat game where players must swing around their fists and sacrifice their weapons to advance. The final existence of the games isn’t a known quantity at this point – he jumps around a variety of projects – but there’s something quite compelling about just what could be.
Crescent Moon Games has a big 2014 and beyond ahead of them, as always: a large slate of releases is planned for the coming month and year across many genres. Josh Presseisen, founder and head of the unique outfit that serves both as a publisher of third-party titles and also develops its own, demoed many of these upcoming titles to us during GDC 2014, including commenting on early footage of some of the games recorded at the show.
Exiles: While still not too far along, Exiles (an in-house title) promises to be an open-world action RPG on an alien planet, mixing elements of titles like Ravensword with Fallout and Mass Effect. Players will have a strange world to explore, and plenty of baddies to shoot – and the twist as to just why is revealed in this video, though it’s planned to be revealed early on in the final game.
Gear Jack Black Hole: This sequel to Gear Jack takes the original’s auto-runner concept and makes it a full-blown endless runner. Players will still jump and roll through levels, but now in a high-scoring context while warping through various environments.
The Deer God: This game is still so early that its gameplay hasn’t even been finalized, but its look is rather intriguing: it mixes the pixel art that Superbrothers made famous in Sword & Sworcery in a 3D environment. While there’s still a lot to be locked down with the game, its concepts sound intriguing, as discussed in the video.
Almightree: This puzzle-platformer has players trying to survive a crumbling world by moving through puzzling layouts of blocks, and moving them around as necessary. Good luck.
Sky Story: Another game still very early in its development, this upcoming title is inspired by Kid Icarus, but going in a different direction from the recent 3DS title by trying to be more of an exploration-driven game. This one will be 3D, though: levels have 2D sections, but the ability to move into depth sections of levels will also be present.
This was only a selection of Crescent Moon’s upcoming titles: there were other titles Josh Presseisen demoed that are either still unsigned or not quite ready to be shown publicly. This could be another jam-packed year for the studio.
Tilting Point demoed several titles that they are helping to bring about and promote for iOS at GDC 2014, including a pair of games from big-name studios and an intriguing indie platformer.
Inspired by the Sonic series, Leo’s Fortune is an action-puzzler where players must navigate through hazardous environments utilizing jumps, and only the ability to puff out and float, or compress down to apply more gravitational force. With loop-de-loops and tricky platforming puzzles to solve, this should prove to be a challenge for core gamers, which is what this premium-with-no-IAP title is aiming for. There’s also iOS 7 gamepad support. Expect this one relatively soon.
As well, Toy Rush from Uber Entertainment is chugging along: new features have been added, monetization and IAP modified to be clearer, and just more polish added to the game. It’s nearing its eventual release likely at some point in May.
Signal Studios, creators of the Toy Soldiers series on PC also showed off their game The Sleeping Prince, which is currently in a soft launch phase. This game has players flinging a ragdoll prince around, trying to collect coins and stars, reaching the end of levels safely. There’s an interesting system where players can buy unlimited energy, referred to as magic in-game, in each level in order to bypass that. The aim is to release on iOS first by the end of April with Android down the road.
After their smash debut, the Angry Birds have gone from physics-based puzzle games to space adventures to kart racers. Angry Birds Epic, the newest entry in the series currently in a soft launch phase, continues the franchise’s evolution into the Mario of mobile by casting the birds as heroes in a turn-based roleplaying game. We grind through this ambitious spin-off for the latest edition of It Came From Canada!
When the dastardly Prince Porky and the rest of his pig army steal innocent eggs, it’s up to a brave band of birds to stop him. Starting out with a lone red warrior bird, the player’s party soon sees new recruits like a yellow wizard and white healer. There’s no real overworld to explore in Angry Birds Epic. Instead, the party travels from battle to battle on a linear map, occasionally coming across treasure chests or resource deposits. The fights themselves play out like simplified, turn-based, JRPG battles in the vein of Paper Mario or the more recent South Park: The Stick of Truth, albeit without the cursing or focus on timed button presses.
The battles do have some depth, however. Using an intuitive touch system, each bird can either attack an enemy or use its special sub-skill. For example, the wizard’s lightning strike attack hits several foes at once. But it can also choose to create a lightning shield around itself or an ally that damages incoming foes. As the birds levels up, some skills can even be applied to the whole party.
Complimenting these strategies are the surprisingly complex skills of the enemy pigs. Some stronger pigs charge up attacks over time like meteor showers or taunts that cause all foes to target a specific vulnerable bird. Other enemies have more passive abilities like Prince Porky’s resistance to attacks above a certain damage level. When the red chili pepper at the bottom of the screen fills up, players can unleash a devastating special attack. However, it may be useless against bosses like Prince Porky or other shielded enemies so players still have to play smart.
These bite-sized battles make up the vast majority of the Angry Birds Epic experience, but there are a few things to do outside of combat. Players can forge stronger weapons, brew potions, and scrounge around for more loot. Aside from tackling the main campaign, players can also participate in daily dungeons and lottery spins for the chance to earn even more prizes. Partaking in these side activities strengthens the team and makes the story quest easier, but the fair yet steep difficulty curve definitely still feels designed to push players towards spending more money.
It’s hard to be too mad at the game though, because the world of Angry Birds Epic is so pleasing to take in. The colors are vibrant, the animation is exquisite, the music is joyfully rambunctious, and the whole presentation is so charming players will be reminded why so many people got hooked on this franchise to begin with. Like all things Angry Birds at this point, expect Angry Birds Epic to soar once it fully launches.
Chronology from Osao Games has seen a long and turbulent history, transferring from one company to another, but the game is now in stable hands and about to release on iOS and Android. This time-travelling platformer has players controlling a gnome who can switch between two different worlds, and a snail who can freeze time. Using the two characters’ abilities in concert effectively is the key to victory. The game releases later this year.
Like Dungeon Raid but believe it was highly lacking in vampires? Then Darkin might just be up your alley. While highly-familiar, the game adds in unique touches with buy-anytime upgrades, clans like assassins which make use of the position of tiles on the boards, and game modes that play with how health works. The game is coming soon, and we have lengthy direct-feed gameplay footage below.
After last year’s The Drowning promised big things but failed to live up to its potential, DeNA’s Scattered Entertainment has been quiet. Well, at least in the sense that the studio has been quiet about its work – Ben Cousins remains a very vocal personality on Twitter. But as far as their next game? It’s remained relatively unknown until now, when a new game called Isolani became unearthed in the Phillippines App Store. So, I brushed up on my Tagalog for this edition of It Came From Canada, Philippines Edition!
This is another first-person shooter, but it’s pretty much the opposite of what The Drowning was. Where that game was an earthbound mission-based zombie-killer, this is a level-progression-based (with story!) spacebound robot-killing FPS. Well, okay, it’s about as opposite as first-person shooters get. Players must navigate a hazardous space station environment with a hostile AI summoning robots to take players out. This is still built for mobile experiences: all the levels of the nine available early on take three-to-five minutes to play. Each level has a specific weapon selection, with upgraded weapons available for purchase later on, though effectively unavailable for the first chapter.
Interstingly, the touch-based control scheme of The Drowning has been abandoned in this early version of the game in favor of standard virtual dual-sticks with autofire enabled, with a manual fire button and a weapon switching and reloading buttons being the only other input. I’d be curious to try that control scheme with this game – the controls failed in The Drowning in large part due to the need to walk backwards, which was difficult to execute, but this game is a lot more built around forward momentum. Still, being able to move wherever necessary helps out a lot, and the auto-firing simplifies a lot of things.
Really, even Isolani‘s early setup seems to be just about establishing the very core of the game: most objectives are simple, like taking out a certain number of robots, shooting switches, or finding MacGuffins. So really, time will tell just how Isolani fares, but it’s a great fit for pick-up-and-play gameplay with its short levels, and the story-based structure could lend itself to some clever level design and combat situations. I’m intrigued – but it’s clear there’s a long way to ago and a high target to be reached for Scattered Entertainment.
Rolocule, creators of Motion Tennis, are back with another motion-based game meant to be played on TVs: Dance Party TV. By using an iPhone with AirPlay output on an Apple TV, up to four iPhones can mimic the displayed dance moves, a la Just Dance and similar games. Of course, it just had to be tested out, so enjoy me awkwardly dancing to the beat, which you too can do in a few weeks.
Vivid Games has shown off Godfire: Rise of Prometheus for the first time. Built off of the combat in Real Boxing, players will enter into duels with groups of enemies, with dodging and blocking being the only movement in combat, with light and heavy attacks, along with special attacks that become available as the rage bar fills up. Plenty of large bosses inspired by Greek mythology will be available to fight throughout the game, which will be releasing in a few months.
Gamevil’s ringing in 2014 at GDC with the announcement of five new games to be released worldwide. Operating under the thought that hardcore online multiplayer games may be big in 2014, here are the new titles they announced at a press conference:
Zenonia Online: Gamevil’s popular action-RPG series goes online for the very first time this year. Already out in Korea, this entry will not skimp on the action-RPG gameplay, but will add in MMO features like lounges to meet with other players, eventually partying up to take on the game’s levels. As well, there are battle royale and PVP modes to participate in for competitive gameplay. This one will release worldwide later this year.
Dragon Blaze: This “simulation RPG” has players gathering a team of heroes, leveling them up and battling them out against other teams of heroes and villains, with the ability to participate with up to 3 other players in real-time. The global launch in the 3rd quarter of 2014 will debut the game’s online PVP mode as well. The game has been a hit in Asian territories where it reached #1 on the App Store top grossing charts according to Gamevil, so it could be an intriguing and very popular US release.
Dungeon Link: Built off of the popular “connect the dots” style of games, players build up a team of four heroes, and then battle enemies in an arena where they must try to connect as many tiles as possible between the four sets of color points in order to attack the enemies, with more tiles meaning more damage. Gamevil claims over 2000 dungeons will be available to fight in. Expect this one in the 3rd quarter of 2014.
Elements: Epic Heroes: Revealed for the first time at their GDC press conference, Gamevil showed off this 3D action-RPG for iOS and Android. Featuring online play with touchscreen-friendly controls, players will level their heroes and fight through various dangerous environments for glory when it releases later this year.
Mark of the Dragon: Gamevil finally revealed their take on the Clash of Clans genre of game that has become popular. Build defenses, train attackers, and go after enemies. Their game’s big difference is that players can summon dragons which they control to attack specific enemy structures, giving this well-worn genre a potential fresh take. This one is planned for summer 2014.
Former Zynga Boston developers formed Proletariat Studios, and now they’re hard at work on their first game: World Zombination. This casual strategy title puts players in control of either zombies trying to destroy protected human safehouses, or the humans protecting the safehouses. Sounds bleak, sure, but the game is bright and colorful. As well, there’s online elements with other players planned, and plenty of new units to collect and deploy. Release is planned for later this year; check out gameplay video below, and check out their Twitch channel for regular livestreams of the game’s development.
These days it’s super easy to be immediately cynical about freemium games on the App Store. Just the mere mention of energy systems or recharge times can cause players to roll their eyes. Considering Dwarven Den, the new game from Backflip Studios currently in a soft launch phase, is based entirely on these mechanics some might dismiss it out of principle. But the more open-minded will discover a shockingly fair dungeon exploration adventure. Get ready to dive deep in this edition of It Came From Canada!
In Dwarven Den players control a dwarf spelunker making his way through a series of caves. Each cave has a different objective, like find the lost dwarf or mine all of the gold, but efficient exploration is what everything ultimately comes down to. Pathways are blocked off by various types of rocks, and mining through them depletes the player’s energy. Run out of energy and either pay up or quit and wait for the dwarf to recharge. However, each cave is also littered with red gems that restore energy when mined. The tension comes from trying to make progress while keeping energy reserves high.
It would have been so easy for Dwarven Den to keep energy gems artificially scarce to encourage customers to pay. Fortunately, players can get through much of the game with intelligent play alone. By raiding treasure chests for loot, players can forge stronger weapons and armor. Rocks become easier to mine and sometimes even give back energy. By mining blue gems, players can also use a variety of Zelda-style tools like fog-clearing torches and rock-clearing bombs. Bombs are especially effective against energy-draining spider foes.
Using all of these tools in Dwarven Den‘s surprisingly non-linear dungeons makes for a satisfyingly cerebral experience. Each dungeon is basically a big environmental puzzle to solve, and there’s always more than one right answer. It’s not Dark Souls, but the combination of tense challenge and freedom for creative player experimentation works in a similar way. It avoids becoming the tedious loop of repeating an action, waiting, repeating the same action, and waiting again that it could have easily devolved into.
Things can get a little stressful, but that’s offset by Dwarven Dungeon‘s bright, chubby characters and cheery voice samples. The 3D visuals move smooth and fast. Meanwhile, each new item equipped shows up on the player character as a nice touch of customization.
There is the nagging fear though that Dwarven Den‘s freemium elements are so non-aggressive they might be too good to be true. Since the game is still in a soft launch phase, there’s still time for it to decide how money-hungry it wants to be. As it is now though, Dwarven Den rightly chooses to be a great game first and a cash magnet at a distant second.
Dragonwood Academy from XMG is a casual collectible card game: players will build decks and battle various opponents, but without the need to do advanced deck optimizations like other games, hopefully reducing the barrier to entry for casual players. This project, which came together quickly according to Andy Smith of XMG, will be releasing worldwide in a couple months for iOS and Android, with full tablet support – not just a scaled up interface.
Crytek’s making a big push on mobile, and with the help of DeNA, they’re releasing The Collectables later this year. One of the producers of the game is joining us on Twitch to chat about it as we play — feel free to join the Twitch chat to ask questions and find out all about this upcoming game. The stream goes live at about 4:15 PM EDT (3:15 PM CDT, 1:15 PM PDT, 8:15 PM GMT), click here to watch on Twitch with chat, or watch embedded live below. We’ll have an archive of the broadcast after the show.
Are the fine people at Halfbrick rather angry? Their last game, Colossatron, was about destroying humanity as a giant serpentine robot. Bears vs. Art can’t escalate on that concept, but it does try to go for something a bit higher-class: namely, destroying art as a rolling bear. The game’s currently in its soft launch phase, so I put on my monocle for this edition of It Came From Canada!
Players control a bear who hates art because museums wrecked his home, so he goes to various museums and wrecks up their paintings – and occasionally the snooty patrons there. Makes plenty of sense. This bear prefers to get around by rolling in the cardinal and ordinal directions, perhaps because he’s a big fan of Sonic the Hedgehog, and he can only roll in a straight line. There are also a number of parameters dictating just how many times the bear can roll in a level, or how much time there is to complete it. Okay, now we have stepped deep into video game logic.
Most levels just feature the bear and the paintings on the wall to destroy, but patrons are a frequent occurence. The patrons behave chaotically, though with certain rules: they always move if the bear gets near them. Thus, this requires an intelligent approach to taking them down; though if time and moves are a factor, this can be rather difficult. This is a system I’d be kind of wary of since it seems like it could be a real energy-drainer, but Halfbrick’s a reputable enough company that I would trust to not use this kind of system against players.
So, the levels become about figuring out the proper sequence to solve the various puzzles. Some paintings require rolling from a specific spot. Being able to roll diagonally really opens up the puzzle design. The introduction of timed levels, and ones where players must try to take out patrons and thieves (or even avoid them!), add even more variety, especially as levels start to blend each type together.
This game gets a lot of clever details right. For one, it’s legitimately pretty funny – from its rhyming storybook intro, to all the bear-themed art that can be destroyed. There are some art history students who made this game – perhaps disgruntled ones – because of all the parodies of real paintings and pretentiously-named modern art pieces that can be destroyed. Oh, and the destruction occurs by the player slicing up the paintings in a Fruit Ninja-esque way. The dialogue before some levels from the snooty patrons is often quite humorous and at one point self-aware that these museums were built without doors for some reason.
The game is ruled by an energy system, though energy gets refunded for completing a level successfully. There are coins to be earned and costumes with different effects to buy with them, along with extra turns and rage mode. There are permanent turn and time additions, but they come at rather expensive costs: $14.99 each as of the soft launch. The energy bar is lengthy, but later levels start to use more than one unit of energy and it refills very, very slowly. Like “16 hours of waiting didn’t refill it all the way” slow.
Of course, since it’s a soft launch these could all change as time goes on, and it’s quite possible they will. Free-to-play requires some exploration to see what works, and this game feels like it could be enjoyed long-term for free, so paying customers may need to shell out more for the game to be financially viable. Still, time will tell how players will take to it.
Game creation is not easy. Edmund Koh and Personae Studios want to change that with the upcoming PICS Tower of Defense – a way for players to make their own tower defense levels, and eventually their own tower defense games, as a way to lower the barrier that comes between having an idea for a game, and actually creating it.
The app’s concept was born from his studio’s previous game MechWarrior: Tactical Command. Koh says “People were asking for more missions after we released [the game]… so we realized that with all the suggestions on what we should do, we should just open it up and let people make their own games… basically facilitate people to make games in their own genres. The intention with PICS Towers of Defense is that it would be the first in a series of game creation tools.”
The plan for PICS Towers of Defense is to start the game off with level creation only, but eventually, the idea is to let people create full-fledged games with narratives and progression that they define. However, it will be possible to customize all sorts of details, such as attack power of towers and enemies, and even whether the game will be a standard mazing game or an open-field one like Fieldrunners.
Koh says that, “With game development, essentially what you’re doing, most of the time, you’re just guessing what the audience wants… the approach that we’re taking is that we’re gonna ask people what do you want, and let them do it.”
One of the features for creation that they’re working on is to be able to modify levels that other players have created. Koh puts it like this: “If I gave you a clean sheet of paper and asked you to design a car, the chances are, very few people are able to do it. Whereas, if I ask you, what’s wrong with your car and what would you want to change on it, I’m sure you can come up with a lot of things.” So, powered by this philosophy, Personae is aiming to make attributable changes to levels, and to help make creation easier for people.
The way that PICS Towers of Defense intends on making money right now is through theme packs for levels and towers: the game is expected to be a free download, but additional theme packs will be available as in-app purchases, and there is talk of crossovers with other games to get theme packs into this creation tool. Koh says, “We want this to be more of a community-driven platform where people could write in suggestions on what kind of theme packs that they would want to see, and we’ll try to create it for them.”
The plan is for the game to release at some point in the second quarter of 2014, though the initial release will not be the be-all end-all of the game, with more features down the road. And perhaps if the game does well, then more genres could be added to the PICS brand. But for now, Koh and Personae have their hands full with this ambitious app, which in its current state definitely delivers on its promise. But making it widespread and accessible will be the key to the game’s success.
DotEmu has announced the imminent arrival of its new game called Little Big Adventure, which is due out later this month.
As with a lot of DotEmu games, this is a port of the iconic retro game of the same name. It chronicles the story of Twinsen, who is locked up for dreaming his way to finding out about future events; escaping lockup is the backdrop story. According to the publisher’s release, there will be plenty of dialogue, puzzles, and characters.
Little Big Adventure will be coming to the App Store on March 27.
Today on Twitch, we’re doing two game streams, one in the US afternoon and one at night though we’ll have archived video of all the streams afterward. Here’s the details on the what and when of both:
First Strike: This IMGA-nominated game about nuclear war from Blindflug Studios packs an interesting message, and I’ll be talking about the aims of the game with the team. Feel free to join and ask questions when the stream goes live at 5:15 PM EDT (4:15 PM CDT, 2:15 PM PDT, 9:15 PM GMT)
Wayward Souls: Rocketcat Games joins us again to show off some of the later parts of their upcoming free-to-play action-RPG based off of Mage Gauntlet. The last stream had some juicy details about the details of the game and what the next iteration could be, so join up and possibly hear more juicy info and see more of the game!
Wind-Up Knight 2 from Robot Invader is nearing release, and we’ll be streaming a preview build with the developers this afternoon. We’ll be showing off the game and some of the new things that players can expect to see – and viewers can join up in the Twitch chat to get their burning questions answered. Sadly, we don’t have a DDR pad available to play the game with.
Tonight, Crescent Moon Games releases their Metroidvania-meets-Minecraft adventure game, Mines of Mars. Featuring procedurally-generated 2D worlds, players must dig through Mars to try and discover the secrets beneath it. Josh Presseisen, founder of Crescent Moon Games, joined me on 148Apps Live on Twitch to discuss the game’s origins, how Crescent Moon’s publishing helped shape the title into something radically different from a year ago, and how PC gamers approach titles in totally different ways from mobile gamers.
Catch the recorded broadcast below. (Pardon our dust -footage may be choppy due to technical issues)
We’re getting the 148Apps Live train started back up in a big way this week! At 4:00pm EST (3:00pm CST, 1:00pm CST, 9:00pm GMT), Kepa Auwae of Rocketcat Games will join 148Apps on Twitch to chat up Wayward Souls – formerly known as Wayward Saga, and as the spiritual successor to Mage Gauntlet. We’ll run through a fresh build of the upcoming game, and chat about what’s gone into the development of the game. And of course, you can ask your questions as well in the Twitch chat.
Threes is kind of a hard game to explain in words, and it’s even harder to explain why it’s a game worth playing in words. However, with its pedigree – from creators Asher Vollmer (Puzzlejuice) and Greg Wohlwend (Solipskier, Hundreds, Ridiculous Fishing) – and some pre-release hype thanks to an a mention as IGF honorable mention, and just general ‘buzz’ around the game from those in the indie community and in the know, it looks promising. But for those who aren’t in the know, just why Threes is so anticipated is still a mystery.
Greg and Asher got on the 148Apps Twitch channel to discuss the game, how the idea and design evolved over time, and just where the game’s great voices (unfortunately not heard on the video due to a bug) came from. Plus, they give plenty of great tips and help on the way to setting a new high score.
Watch the entire archived broadcast:
As well, watch the highlight of the high score run from the video:
Castaway Paradise was first mentioned to me as Animal Crossing but for iPhone, though I played the iPad version because I’m a rebel. And really, that just about nails it on the head – except Stolen Couch Games have done what Nintendo has yet to do, and that is make it free-to-play. Castaway Paradise is currently soft-launched in the tropical paradise of Canada, and I take it for a spin in this edition of It Came From Canada!
Players control a person who washes up on shore, and finds themselves in a land of fellow castaways who washed up on shore. However, no one really seems to be all that set on getting home – there’s an entire village that’s popped up, even with a mail delivery boat! So, the player is made to build a new life here, because who knows; maybe this is all the dream of the Wind Fish and leaving would be disastrous.
So players then just do tasks for the various residents, like building fences and harvesting crops. The early missions are structured to introduce players to the things they need to know to live their island experience and to see more of the village. Menial tasks to earn currency to buy more supplies and customizations is the name of the game here.
Players have the ability to customize the look of their dwelling and of their character, but the intro to the game provides one moment regarding this that needs to change. See, the game starts off with the player being just a walking glob of seaweed washed ashore, immediately forced to do chores by Viktoria, one of the villagers. Then, for some reason, she asks which binary gender the player is. This choice is the sole determining factor in how the player first appears: typically male or female.
This is incongruent with the customization options provided, because male characters can wear dresses and traditionally feminine hairstyles without anyone saying anything about it. The character’s gender doesn’t seem to play much of a role, so why is it the very first thing that players are asked to choose as far as customization goes? Why not instead let players determine their initial design based on how they want to look from a set of basic customizations, and make gender an entirely irrelevant factor in how the player wishes to present themselves in this world?
While the free-to-play elements perhaps take away some of the innocence of Animal Crossing, where everything must be earned, there’s also no Mr. Resetti here – so, win some lose some. Time will tell if this is successful, or if this is the Pepsi to Animal Crossing‘s Coke – or if it’s just store-brand cola.