Posts Tagged psp

Cult Favorite Horror Adventure Corpse Party is Available Now for iOS

Posted by on August 14th, 2014
iPhone App - Designed for iPhone, compatible with iPad

Since 1996, when the first game in the series was developed using the RPG Maker, the Corpse Party series has been a cult favorite. 5pb games takes us back to where it all started: the cursed Tenjin Elementary School. When the class leader makes the mistake of invoking the “Shiawase no Sachiko-san” charm, a curse ceremony to transport people to parallel world, the characters are thrust into a world of grotesque horror. Corpse Party comes with full cast of voice actors, scenes, and over 20 hours of gameplay to keep you sleeping with a night light on for days.

You can check out Corpse Party for $21.99 on the App Store.

corpse party

Console gamers tend to dismiss mobile games as dumbed down, casual, kids stuff. Whenever I write a column about how mobile games can be as “good” as console games, the outcry is often loud and fervent.

With the power of current-generation iOS devices, it’s not a stretch to consider that many games that we see on consoles could be ported to mobile devices almost as is with the full game intact. And yet, it does indeed seem that when titles have a console and a mobile version of the same game, the mobile version suffers in terms of content.

Why is that? Even if we assume for the moment that an iOS device can’t push the same high quality graphic power as a dedicated gaming console, why must games on mobile be so much less in-depth than their console brethren?

Console Vs Mobile/iOS

Should gamers expect the same experience on mobile devices as on console? Probably not–but that may be changing. Michael de Graaf, the producer for the mobile version of Need for Speed Most Wanted, feels that the difference between console and mobile is narrowing. “At the moment, consoles still have an edge when it comes to raw power but that gap is narrowing,” he told us, “and we’ve seen possibilities continue to expand on mobile. The current quality of screens we are seeing and new form factors are increasing the quality and diversity of experiences that gamers can now have on a mobile device.”

Nick Rish, vice president of mobile publishing for EA, believes that comparing the two is futile. “There is something very immersive about holding a device 10 inches from your face,” he said, “putting on headphones and enjoying a game like Need for Speed Most Wanted while on your lunch break … It’s tough to say one platform provides a better consumer experience than the other; gaming is in the eye of the beholder.”

“Mobile gaming grew from very basic flash games we all’ve been playing on web browsers,” said Przemek Marszal, art director at 11 bit studios, the developer behind the Anomaly Warzone series. But that’s changing, he said, noting that even a hard-core indie developer like John Carmac sees the potential of iOS gaming.

Graphical Power

Is it fair to expect console-level graphics and performance on an iOS device? De Graaf thinks not, and helps his team tailor the gaming experience based on what mobile players want, versus simply what the hardware can do. “For instance, when we approached creating the control scheme for Need for Speed Most Wanted on mobile,” he said, “we wanted to provide consumers with the option to play in a way that was natural for a mobile experience. We listened to our mobile gamers and as a first for the franchise we gave fans the ability to control their vehicle via touch or tilt steering options.”

“I think hardcore gamers should expect the “same level” of experience and immersion but not the exact same experience,” said Marszal. “iOS is about touch, mobile, close-to-your-eyes feel, immediate experience. For a console, you almost need to “plan” your time with it.” He noted that the gap between console and iOS is narrowing, however, saying that the iPad 4 and iPad 5 is about as powerful as the original XBox.

Handheld? Or Mobile?

It’s hard not to compare the current state of iOS mobile gaming to other handheld gaming devices like Sony’s PlayStation Vita or Nintendo’s 3DS. It seems that for every story about the successes of mobile gaming, there’s a story about disappointing sales in the handheld gaming realm. “The DS and PSP are primarily gaming machines, but taking a look at the gameplay in Real Racing 3, Need for Speed Most Wanted or ShadowGun DeadZone it’s mind boggling just how stunning graphics and engaging gameplay can be on iOS devices as well,” said Rish.

So why don’t we see more console-like experiences on iOS and other mobile devices? Could it be the business model? Rish referenced the fact that with consoles and dedicated handheld gaming devices, consumers pay for their games up front, often spending twenty, thirty, sixty dollars or more for the entire experience. “We are seeing that when a developer gives a mobile game away for free,” said Rish, “there is more of a focus on replay-ability and the continual development of the experience through content updates, which prolong the experience, as opposed to creating an in-depth story from the beginning with a definite end.”

Could it also be that developers and publishers who do business in both worlds want to avoid cannibalizing their sales numbers? Our focus has always been on building an incredible experience on mobile that can sit alongside, rather than replicate, the console title,” said de Graaf. With gamers clamoring for high-quality realistic gaming experiences on living room consoles, a company would be hard pressed to give that up and move all its gaming resources to the iOS world, right?

Mobile titles, then, are like extra DLC, available to gamers who own both an iOS device as well as a console. They also function as advertisements for their console versions, driving even more sales to the publisher and developer than anything else.

While games on iOS can offer near-console quality and depth, then, perhaps consumers are, in fact, driving the types of games that show up on mobile devices. Rish pointed out that mobile gamers tend to prefer shorter play sessions when on the go, as well as the ability to immerse themselves into a deeper game as they have the time for.

Depth And Scope

Industrial Toys CEO and industry veteran Alex Seropian thinks we can have both kinds of games on mobile devices, but that developers are rightly concerned about just how to do so. “There seems to be some built up developer fear of bringing console games to mobile,” he told 148Apps, “because most of the ports and games that are structured like console games have been commercial failures on mobile.”

Seropian makes a distinction between the scope of a game and it’s depth. A deep game, he says, “is one you can play over and over again, the same bits, and get better at it and continue to enjoy it. A game with scope is a longer game with more things to look at and lots of single use content.” He points out that creating a console-type game with scope isn’t the best strategy for success, as people use their devices differently than they game on consoles. “The real trick,” he said, “is marrying those depth elements – compelling story, fantastic artistry and deep game mechanics with that accessible and quicker structure.”

The benefit of mobile gaming, then, may in fact be ability to serve many types of people by providing many different types of gaming experiences. It’s much easier to have some shorter, more casual experiences available on the same iOS device as the more console-like games with depth and immersive gameplay.

It’s Just Different

Perhaps it’s best to stop trying to compare consoles and iOS games altogether, and note that there is room in the market for all sorts of games. The mobile gaming world has proven to be a disruptive force in traditional gaming, but that doesn’t mean it will replace it, completely. Both executives seem to say that replicating a game like Need For Speed on iOS or mobile would be counter-productive, as they already HAVE a console-quality version of the title: on consoles. Creating a second, mobile-friendly counterpart to a console game just might expand the title’s audience, as well as provide new customers who might purchase the higher-initial dollar title at some point, based on the mobile experience alone.

It’s the publisher’s job, then, to differentiate the mobile titles even more, if that’s the case. It also doesn’t quite explain why there aren’t at least SOME games with the kind of depth and immersiveness we expect from console games made by the larger gaming companies like EA.

In addition, maybe the games we’re looking for, the ones with depth, significant gameplay,storytelling, and amazing graphics, won’t be found fromt he larger publishers. Perhaps we’ll only see them from smaller, less risk-averse companies who don’t need to worry about a console vs. mobile version.

If companies want to make games to meet their customer’s needs, then there should certainly be a market for deeper, console-style type games on iOS. Here’s hoping that the increasing power and ability of mobile devices continues to allow game publishers to create a few more deep, long-form video games for our favorite mobile platforms.

EA Purchases Chillingo

Angry Birds developer Chillingo may cease to be an indie darling in the near future, as EA has bought the company. Reports put an the deal at $20 million cash, but the future of all the studio’s properties are still up in the air.

Chillingo was already a hot commodity after Angry Birds, but the massive success of the recently released Cut the Rope has truly turned the UK developer into a den of rock stars. While companies like Activision, Gameloft and even Intel were vying for the studio, EA was able to close the deal.

“By acquiring Chillingo, EA Mobile is increasing its market leadership on the Apple Platform as well as reaffirming its position as the world’s leading wireless entertainment publisher,” EA’s Holly Rockwood said in a statement.

It sounds like EA wants to keep Chillingo in the mobile space, but we can’t help but wonder if the studio will be asked to dabble in consoles and handhelds as well. EA has dabbled with physics games by publishing Boom Blox on the Wii, but the series has stalled and perhaps the company is looking for a new franchise to bring to non-Apple audiences. There’s also the distinct possibility EA could request a totally new IP from Chillingo, one which could be backed with a big budget and marketed across all platforms.

Where things may get tricky is in regards to ownership rights of games published under the Chillingo banner. Rovio created Angry Birds, while ZeptoLab made Cut the Rope, and, at least according to Rovio, the development studios still own those properties. A Rovio spokesperson says his company “controls the Angry Birds brand and any future products,” so at least that franchise may remain apart from this deal.

At any rate, let us be among the first to congratulate Chillingo and wish them the best of luck under the new ownership. They’ve already proven what talented, dedicated people can do when they put their minds to it so they deserve all the success and wealth they’ve earned. Well done guys, keep up the good work.

[via Mashable]

The Red Star Review

The Red Star Review

iPhone App - Designed for the iPhone, compatible with the iPad
Action packed Red Star is a great addition to the 2.5d side scroll genre in the app store. A high difficulty level may hold back some, but overall it's a great game.

Read The Full Review »

The Search for Satisfaction
Nobody really expected the App Store to be such an enormous success. There are currently over 41,000 apps in the store, and more than 12,000 publishers. (These stats come from our sister site, 148apps.biz.) Since its debut, the App Store has produced games that scorn typical expectations of “mobile gaming” and present polished, cheap entertainment in an easily accessible form. Apple has taken advantage of the iPod Touch and iPhone’s gaming abilities, and is pushing gaming apps in its ads. By all accounts, the iPhone is becoming a force to be reckoned with in the world of handheld gaming.

But while the App Store is booming, there’s a sad lack of real games in the App Store. I’m talking about games that draw you in with knotted narratives, games that you can really sink your teeth into. I’m talking about games that could make the folks over at Nintendo and Sony fret over the futures of their precious handheld consoles.

img_000620 Just look at the Top 100, and you’ll see what’s missing. At the time of writing, the #1 game is Stick Wars—a “good” game, perhaps, but hardly an overwhelming demonstration of the iPhone’s capabilities. The #1 free app is the “Urinal Test,” which speaks for itself; the #1 paid app overall is the Moron Test—that’s high-quality stuff right there. Two more examples: Doodle Jump and Flight Control are bestsellers that have met with both popular and critical acclaim, and for good reason; they’re wonderful casual titles. But their success is a testament to a marketplace that craves casual play, a marketplace where the cheapest often wins. iPod Touch and iPhone owners tend to buy games as if they were candy: sugary snacks that can be consumed mindlessly, and thrown away once the sweetness has been sapped. Those aren’t the kinds of games that will catapult the iPhone to true greatness as a gaming platform.

And that’s what we gamers would love, really. The diversionary games are wonderful, but serious gamers are still lusting after real games. Imagine a world where your PSP or DS has been made obsolete by your phone. That’s the world I want to be in; why carry two devices when you can have one? I want quality titles that will last more than a few hours. As a New York Times article lamented, “Those searching for a deep, meaningful, narrative-driven experience will generally have to
Continue reading Search For Satisfaction: the Lack of Full-Featured iPhone Games »

Asphalt 4: Elite Racing

Asphalt 4: Elite Racing

Asphalt 4 is pure racing goodness for the iPhone

Read The Full Review »
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