The classic (and brutal) first-person adventure series that is Shadowgate has amassed a pretty decent following over the years. More than decent, really, which is why zojoi has been in the process of rebooting it by way of an all-new re-imagined Shadowgate for Windows, Mac, Android, and of course iOS. And goodness gracious does it look pretty.
The new Shadowgate isn’t so much a port with improved visuals as a relaunch (hence all the “re-imagining” business). It will certainly include several nods to the originals such as familiar rooms and such, but it’s intended to be a whole new thing. A whole new thing with plenty of classically brutal puzzles and gameplay, an all-new orchestral soundtrack, a retro soundtrack for the nostalgia fiends, some very nice visuals, animations, and a whole lot more.
Keep an eye out for Shadowgate on the App Store later this summer.
– First Person Adventuring: Utilize your inventory, spell book, mapping system and on-screen commands to complete your quest
– Rooms: Tons of Beautifully illustrated rooms featuring both new and familiar locations, offering a new play experience
– Puzzles: Lots of new and updated puzzles that seamlessly expand on the original game
– Difficulty Levels: Three different difficulty levels that actually change the game play experience and puzzle structure
– Commands: Intuitive command-based UI allows you to interact extensively with the environments (includes features like key binds, command locking/unlocking, retractable/maximizable HUD, etc.)
– Storytelling: Features dramatic cut-scenes and all the same great storytelling you expect from a Shadowgate adventure
– Cinematic Score: A full, digitally-orchestrated, dynamic soundtrack by composer Rich Douglas
– 8-bit Score: A second retro soundtrack featuring Hiroyuki Masuno’s original NES composition
– Soundscapes: A complete atmospheric and puzzle-based sound design
– Achievements: Dozens of in-game and Steam-based achievements to find and unlock
– Animations: Environmental and object-specific animations and particles bring each location to life
As with any good trilogy, all good things must come to an end. Sadly, this is also holds true for Zen Studios’ epic conclusion to their trifecta of pinball DLC packs. The aptly named Star Wars Pinball: Heroes Within releases for iOS on April 29, but we were lucky enough to get a hands-on look slightly before the masses. Will this be the strong finish that the game deserves, or will it end up feeling a bit more like “Revenge of the Sith,” than “Return of the Jedi?”
Leading off the pack is the most predictable in the pipeline: “Episode IV: A New Hope.” This brings a close to the trio of tables focused on honoring the original films in the franchise, and boy does it send things off in style. Fans of the “Empire Strikes Back” adaption included in the game’s base download will find the design of a central loop ramp rather familiar. That said, flanking ramp layouts make this outing appear far more symmetrical, with the exception of the additional left ramp. The main tweak to Zen’s existing formula is the ability for players to channel their inner Bambino and call their shot, so to speak, and select which ramp they would like to use for their post-launch skillshot. As per Zen’s usual mantra, the feature is nothing game changing, but it is just different enough to keep things fresh. Other highlighted elements include the return of mini-games involving a Tusken Raider or two, a slew of missions inspired by the plot of the groundbreaking film, and even a mini Death Star trench run. Considering that this film is where the magic began, it surprisingly also acts as a strong final act under these circumstances.
After dedicating a table to one specific film, it only seems appropriate to follow that up with a table focused the Droids that have incidentally appeared in every installment of the franchise. The core plot revolves around R2-D2 trying to get the Death Star plans safely into the hands of “Old Ben” Kenobi. Flanked by his trusty companion C-3PO, the duo navigate their way across the massive deserts of Tatooine. In the process, they come in contact with Jawas, sabotage and escape from a sandcrawler, and aid several other droids in need. Every aspect of this fast-paced ramp-heavy layout oozes personality and stays true to the series’ narrative – 3PO never shuts the hell up. But that is a good thing, right?
What would a last look at Star Wars be without something dedicated to the most important Jedi and Sith? The Masters of the Force table manages to do just that by bringing together the likes of Yoda, Count Dooku, Qui-Gon Jinn, Darth Sidious, Darth Maul, and several others, all in the name of reliving the biggest battles throughout the series. Oddly enough, most of the combat reenactments take a more simplistic and “old school” approach, employing what amounts to cardboard cutouts of the combatants that double as targets to either hit or avoid, instead of utilizing the resource-intensive fully rendered characters found across the other offerings in this collection. In another interesting side note, the way that the Jedi Holocron is used to capture the ball and transition between alternate modes loosely harkens back to the magnetic trunk in the classic Bally/Midway table, “Theatre of Magic.” It is hard to put a finger on why, but this decidedly more grounded table feels like something that the Zen series has been missing for quite some time and is a welcome deviation from their current design philosophies.
Bringing the collection to a close is none other than everyone’s favorite “scruffy looking nerf herder,” Han Solo. If there was ever a quip, mannerism, or action that the character was known for, most likely it will be featured on this table. Han teams up with his infallible protector Chewbacca to relive the many moments that made him an amazing anti-hero and cultural icon. Of course, the Millennium Falcon is prominently on display in the top middle of the playfield and can even be taken out for a minigame test flight, bobbing and weaving through an asteroid field. Heck, the player even has the opportunity to engage in a shootout in the Mos Eisley Cantina! Guess it is high time to find out who really shot first.
As has always been the case with Star Wars Pinball, each environment is lavishly populated with nods to the lore that will no doubt please hardcore and casual fans alike. The voice acting continues to be fantastic, once again breathing life and credibility into the Force-inspired experience. It’s a good thing that this is the last pack of DLC, because topping Heroes Within would be a tall order. No Jedi mind tricks are needed here, because each table’s midichlorian counts are off the scale.
Cipher Prime’s Inake is coming to iPad on May 1, as exclusively revealed yesterday on our Twitch channel.
This dubstep-fueled action-puzzle game is, according to William Stallwood of Cipher Prime, who joined up for the stream, pretty much a straight-up port of the PC version – in a sense. Some tweaks have been made to the game that will come to the PC version on May 1 as well, but ultimately it’s the same game with the same content. The difference is in the way it’s played: the game supports full multitouch controls on the iPad, so it’s a new approach to a familiar game.
Check out the video below of me going through the first 25 levels, which took some practice to get that far:
Watch some of the special levels, available in Challenge Modes:
Game creation is not easy. Edmund Koh and Personae Studios want to change that with the upcoming PICS Tower of Defense – a way for players to make their own tower defense levels, and eventually their own tower defense games, as a way to lower the barrier that comes between having an idea for a game, and actually creating it.
The app’s concept was born from his studio’s previous game MechWarrior: Tactical Command. Koh says “People were asking for more missions after we released [the game]… so we realized that with all the suggestions on what we should do, we should just open it up and let people make their own games… basically facilitate people to make games in their own genres. The intention with PICS Towers of Defense is that it would be the first in a series of game creation tools.”
The plan for PICS Towers of Defense is to start the game off with level creation only, but eventually, the idea is to let people create full-fledged games with narratives and progression that they define. However, it will be possible to customize all sorts of details, such as attack power of towers and enemies, and even whether the game will be a standard mazing game or an open-field one like Fieldrunners.
Koh says that, “With game development, essentially what you’re doing, most of the time, you’re just guessing what the audience wants… the approach that we’re taking is that we’re gonna ask people what do you want, and let them do it.”
One of the features for creation that they’re working on is to be able to modify levels that other players have created. Koh puts it like this: “If I gave you a clean sheet of paper and asked you to design a car, the chances are, very few people are able to do it. Whereas, if I ask you, what’s wrong with your car and what would you want to change on it, I’m sure you can come up with a lot of things.” So, powered by this philosophy, Personae is aiming to make attributable changes to levels, and to help make creation easier for people.
The way that PICS Towers of Defense intends on making money right now is through theme packs for levels and towers: the game is expected to be a free download, but additional theme packs will be available as in-app purchases, and there is talk of crossovers with other games to get theme packs into this creation tool. Koh says, “We want this to be more of a community-driven platform where people could write in suggestions on what kind of theme packs that they would want to see, and we’ll try to create it for them.”
The plan is for the game to release at some point in the second quarter of 2014, though the initial release will not be the be-all end-all of the game, with more features down the road. And perhaps if the game does well, then more genres could be added to the PICS brand. But for now, Koh and Personae have their hands full with this ambitious app, which in its current state definitely delivers on its promise. But making it widespread and accessible will be the key to the game’s success.
Wind-Up Knight 2 from Robot Invader is nearing release, and we’ll be streaming a preview build with the developers this afternoon. We’ll be showing off the game and some of the new things that players can expect to see – and viewers can join up in the Twitch chat to get their burning questions answered. Sadly, we don’t have a DDR pad available to play the game with.
We’re getting the 148Apps Live train started back up in a big way this week! At 4:00pm EST (3:00pm CST, 1:00pm CST, 9:00pm GMT), Kepa Auwae of Rocketcat Games will join 148Apps on Twitch to chat up Wayward Souls – formerly known as Wayward Saga, and as the spiritual successor to Mage Gauntlet. We’ll run through a fresh build of the upcoming game, and chat about what’s gone into the development of the game. And of course, you can ask your questions as well in the Twitch chat.
Assassin’s Creed Pirates is not the Assassin’s Creed game you’d expected to come to mobile, as it’s more of a straight-up pirate adventure with boats than any kind of character-based action game. Of course, the recent console release kind of took its own path by shifting to a piracy theme, and the mobile game goes whole hog into the concept. Players take command of their own pirate ship, starting off with a small schooner but eventually make their way to becoming a pirate king while wreaking havoc all over the Caribbean.
Gameplay consists of several different phases: there’s a top-down navigation mode, where players can sail around looking for treasure and to take on other captains on the high seas. It’s possible to go into a 3D view of the action, and is necessary for some events, to try and chase down other ships. Then there’s combat, which involves trading cannon volleys, trying to dodge enemy attacks, and exploit their weaknesses.
The connection to the traditions of Assassin’s Creed seems tenuous at best, at least initially: there’s the famous iconography of the series but Edward Kenway, the protagonist of the console game, isn’t anywhere to be seen – at least early on. This is an entirely separate experience, though the game certainly could link up to AC4’s narrative at some point later on (I won’t give away any secrets). In reality, it gives off the appearance of trying to fit in thematically with the game, but in my playing of it, it seems to stand up well on its own.
As a whole, it gives off the vibe of being like Infinity Blade in a fleeting sense. A large part of it is the combat being based off of dodging enemy attacks, and then delivering timing and precision-based weapon strikes from one’s boat back at the enemy – or enemies! The ability to level up and get upgrades for the boat and crew feels like a familiar aspect too, but that’s true of most any iOS game nowadays. But really, it feels like the developers paid attention to making a game in the same sort of vein – of exploring and becoming stronger – but decided to use the concept to fit in with what the piratical theme.
Assassin’s Creed Pirates releases on iOS on December 5, and even for people who aren’t too exposed to the series this shows some promise as a high-seas adventure.
Ryan Mitchell has been diligently releasing some fairly under-appreciated gems on the App Store for quite some time now. Of particular note are Necromancer Rising, a first-person dungeon crawler, and Mission Europa, a far more refined first-person dungeon crawler with a really creepy atmosphere. And now he’s working on what can best be described as a Dungeon Keeper-like titled Cursed Realms.
We contacted him recently and he was gracious enough to speak to us at length about his new project, and tease a little bit about a possible Mission Europa sequel. Please note that all of these images are from a pre-alpha version and that the look/style/etc are, naturally, subject to change.
148Apps: What made you decide to start developing Cursed Realms? Ryan Mitchell (RM): I had finished Mission Europa and I was looking for the next big challenge. I wanted to develop a universe that is so encompassing any storyline is possible. As Stargate allowed its viewers to escape any rules or bounds, I wanted the same. Thus the Cursed Realms universe began.
148Apps: Why something akin to Dungeon Keeper rather than a follow-up to Mission: Europa? RM: I wanted to create a more mainstream type game while also creating a new game engine. I constructed a new Shader and Opengl ES 2.0 based engine. Alas, my scope of work exploded far broader then I originally intended. I LOVE Mission Europa and do plan on a sequel in the future. The update would be using the new engine which includes a LOT of online components. I would like to have some systems where users create scenarios and the like. User created content REALLY blows open a game even if it is just a simple base defense like clash of clans.
148Apps: I know you’ve been working on Cursed Realms for quite a while, so it couldn’t have been in response to EA’s upcoming Dungeon Keeper release. RM: Not at all. This is an after-work endeavor, and for quite a while my main job ate into my night time dev time. I also am married with two kids in sports and we all are in Brazillian Jujitsu. However, I have dropped a lot of activities and am pouring more time into developing again. That along with a scope of game that ballooned far bigger then I expected. However, that is a main reason for the switch to a Clash of Clans type game mixed with Dungeon Keeper. I am culling back some of the scope to not only make the game better but get it done sooner.
148Apps: Why the sudden switch from Dungeon Keeper to something more Clash of Clans-y? And how significantly will this shift affect what’s already there? RM: The current game had been in alpha testing developing game play when I was introduced to Clash of Clans by a friend who does not play any games at all. His addiction blew me away. I then realized I needed to change several things in Cursed Realms to make it most importantly more fun and addictive, then secondly to make it more appealing to a wider audience. The gameplay will be immensely sped-up in multiplayer and maybe single player (single player is taking a backseat now). This speed up conforms to the devices strength of popping your device open and jumping into a game for a short break or while waiting on something.
The online element and crowd sourcing gameplay is [also] very important. The ability for people to build, defend, and destroy other bases and minions explodes the content level. Then being able to take over your own minion in 3D and personally take on another players base adds a new level to this type of game. Another concept I saw as very important is a purchase model where players with more money then time can accelerate their play and help support future games I make.
All assets were unchanged really just database adjustments. I just had to clean up programmer interfaces and expose them to the users. My scene graph based engine really is quick to prototype and create new game-types. So the change accelerated completion instead of delaying.
148Apps: Do you think long-time Dungeon Keeper fans will love, hate, or be indifferent to the change? RM: I think it will be an amazing upgrade into the new century. I played the old Dungeon Keeper extensively before starting Cursed Realms and it helped remove a level of nostalgic awesomeness I had in my head. It is still a GREAT game and one of the best classics ever. However, we have some really interesting new tools now. And back then we could not fit the 486 in our pocket for quick game sessions. As far as to whether fans will enjoy it I will not release Cursed Realms until my testers say it is ready and it is awesome.
148Apps: Even though it’s going to be more Clash of Clans than Dungeon Keeper, do you think there might still be a chance for players to jump in to their minions’ heads and play from a first-person perspective from time to time? RM: ABSOLUTELY! That is one of the biggest differences from base defense games. Here you can be a part of your army. You also fight THEIR army. And in reality it is about 70% Dungeon Keeper I would say. The engine can support an immense number of characters on screen and this leads to epic battles of which you can wade through with your weapon in hand. The Clash of Clans thing is the purchase model.
148Apps: Going back to Mission Europa, is there anything you’ve learned since creating it (and while working on Cursed Realms) that you’d consider incorporating into an update/rerelease/sequel/hypothetical game that will never actually exist? RM: I am a FPS RPG fan at heart and Mission Europa 2 is on my radar. This time with user created content and worlds tied into Cursed Realms as they are tied together in the storyline currently. The main thing I have learned is marketing/price models are 90% of the battle these days and the little guys have a really hard time getting noticed. Along with the pricing model of free with in game purchases is the best way to fund development which is not free; music and assets cost money, not to mention software and hardware.
148Apps: Care to elaborate on the connection between Mission Europa and Cursed Realms any further? Might that mean that players could control, say, a faction of hellish machine/human demon hybrids? RM: Your actions in the end of Mission Europa also had a significant impact on the fabric of the universe which is Cursed Realms. Here is a small design snippet:
The Abaddon – A horrible mechanical race possessed with souls converted from living flesh. One weakness of this race is their poor connection to their equipment. The souls that run them seem to have a loose connection thus they have a hard time controlling them. They are however HIGH in armor to compensate. The Abbadon have wormholes to the north. They sweep entire galaxies harnessing the organic life, and some think souls for their evil.
Cursed Realms doesn’t have a definitive release date yet, but once it’s been given the green light by testers it will hit the App Store for free. In the meantime, you can keep track of the game’s progress on the official development blog or soak up the lore on the wiki. Thanks so much to Ryan Mitchell for taking the time to talk with us.
The original Feed Me Oil was an imaginative and fun physics puzzler with some serious wackiness. No, really, it was awesome. And now the sequel is looming on the horizon.
Feed Me Oil 2 is focusing on “more of the same, only better, and more.” The visuals have been dressed-up significantly with sharper graphics, more all-around detail, and even weirder environments. You’ll be using gadgets to direct the flow of a-bubblin-crude, as expected, but now there are even more tools thrown in that can alter your strategies. The oil physics have seemingly been tweaked for the better, and water has been added (along with other environmental stuff) to further mix things up. In many ways it’s the same game as it still uses the three-star rating system that grants more stars when you use fewer items, and those stars can be traded in for level hints, but if it ain’t broke, right?
You can expect to see Feed Me Oil 2 in the App Store in the beginning of January of next year (only a couple months away, really), where you’ll be able to grab it for $0.99.
Making a first-person shooter with zombies is a safe bet for a game concept, and if Dead Trigger 2 promised to just be more of the same there’s certainly the possibility that it could do just as well as the original. After all, it has zombies and the series’ creator Madfinger is known for its gorgeous-looking games. But Marek Rabas, Co-Founder of Madfinger, says that for Dead Trigger 2, visuals were not the focus. “We didn’t focus on improving graphics quality this time around, instead, our main focus was on gameplay and other aspects of the game.”
This is the first thing that is apparent when playing Dead Trigger 2, perhaps after the still-impressive visuals: it’s a much better experience.
The core concept remains the same: players trying to survive an onslaught of the zombie apocalypse. But something just feels different. Early on, it’s a much more engaging experience. Rabas says “we have changed and enhanced [the] core gameplay. We are monitoring combat intensity and allowing gameplay to adapt to it. We have added bosses in the game and players have to change their behavior in the game when they spawn.” These include enemies like the Vomitron and Kamikaze, powerful enemies that require the player’s full attention as they can kill quickly.
The story missions feature more of a narrative backbone: there’s rudimentary interaction with other characters such as an escort mission early on, albeit with a character who knows how to handle his gun. They’re little things, but they make the game feel less like a soulless collection of missions and more like a game with actual progression. There’s still the assortment of side missions with their own challenges, but the main story mode should be more motivating.
The controls show great promise as well. It’s a version of the dual virtual stick control scheme, but set up with just swiping to move and to aim. Most importantly, aiming is incredibly accurate with the touchscreen to where I had no complaints early on. It’s a Halloween miracle!
Of course, with Apple’s MFi gamepad protocol on the horizon Dead Trigger 2 would be a natural fit. Madfinger loves their gamepads on Android – their games support them, and almost all of the controller manufacturers I met at GDC were demoing the original Dead Trigger on their controller – and Rabas says “Dead Trigger 2 supports MFi gamepads already. We haven’t tested it yet, because we don’t have MFi gamepads here. I hope we will get some before they will release them on the market.” However, the feature should be ready for when the dual-stick gamepads do come out. Until then, the touchscreen on iOS should do a bang-up job for most.
Dead Trigger 2 releases on October 23rd worldwide, and it’s showing great promise as a game that takes a familiar concept and iterates on it to make it possibly the most ideal version of what it could be.
Lords of Discord is a new turn-based strategy game that just began its Kickstarter campaign. It takes place in a fantasy world where Humans and Demons battle it out. There are also the familiar orcs, giant spiders, and other nefarious creatures.
Players can play as humans or demons in two campaigns that feature 12 missions each. There is also a character development system for each race with around 30 units each. Get a glimpse of battle in the trailer below!
Zen Studios have been at this pinball thing for quite some time now. Between the console and iOS platforms they have become the undisputed champion of the digitalized steel ball. Their most recent offering, Star Wars Pinball, garnered an Editor’s Choice rating from this very site. So you can only imagine the excitement when they announced the game’s first batch of DLC, entitled Balance of the Force. Calling upon their veteran stable of developers, the trio of new tables look to put the initial collection to shame. Thankfully, the team over at Zen has the Force on their side!
The first table of the set follows the trend of the first outing by adapting one of the classic films, which in this case is the original trilogy finale “Return of the Jedi.” Building upon lessons learned last time out, the table once again breaks up the plot points into a collection of checkpointed missions. When playing through the stages in Jedi, players will encounter countless interactive objects and fantastical extra-curricular activities that force them outside of the traditional confines of the bumpers. How exactly does one take part in a speeder race through the forests of Endor, without ever breaking the immersion of a pinball experience? Trust us, somehow they have managed to pull it off seamlessly. And how could you ever forget the epic showdown between Luke and Vader? This time the player gets to determine the outcome.
Next up, Starfighter Assault comes aboard to provide the parallel experience of piloting for either the Empire or Rebellion. Depending upon the ethical allegiances of whomever is behind the paddles, the player is placed in the role of tipping the balance of battle one way or another. The table has a light RPG system of sorts that rewards mission completions with upgrades to their fleet, which may very well turn the tide of conflict. Once again, certain missions will involve leaving the table and jumping into the cockpit of signature fighters made famous by the series or competing in third person shootouts, somewhat in the vein of Galaga. There is more than enough variety and fan service to go around, regardless of which side of the battle is embarked upon. Thankfully this also lends itself well to replayability, because why settle for only one side of the story?
Darth Vader rounds out the trio, with his own signature table. It only makes sense that a character as iconic as Vader would receive the same treatment afforded to Boba Fett in the initial offering. As one of a select few characters that spans the trilogies, there is quite a deep pool of subject matter to pull from; starting at the beginning of each game, when the player has the opportunity to actually participate in his transformation from Anakin Skywalker to the hulking “mandroid.” From that point on, the table covers notable occurrences from the original films including the hunt for rebel bases, a Death Star trench run, and his battles with the likes of both Luke Skywalker and Obi-Wan Kenobi. It is a tour-de-Force, (sorry, I had to…) that should not be missed.
This time around it feels like the team at Zen was given free range to really “go nuts” in respect to table design. Each playscape feels more complex than the base set, while still not being off-putting to newcomers. Everything from tricky ramp positions to the new multi-shot goals all play like evolutions to a formula as well as the culmination of mechanic refinement that has been in progress since their immensely popular Marvel line. Regardless, the result is a breath of fresh air for pinball enthusiasts who have been eagerly awaiting their next challenge.
Balance of the Force is scheduled to launch on iOS as downloadable content for both Star Wars Pinball and Zen Pinball on October 16. It is also worth noting that while the tables will be available for purchase from within Zen Pinball, players will not get the benefit of Star Wars Pinball’s additional leaderboards and Force rating system; so choose platforms wisely. Really, no matter what the choice the player will still be treated to a nostalgia-drenched adventure in a galaxy far, far away. They may have once been but a learner, now Zen Studios has become the master.
Mines of Mishap brings classic action-rpg gameplay to iOS and is scheduled to release on September 26th, barring any mishaps. The game gathers its inspiration from titles like Torchlight and Diablo and hopes to provide players with addictive hack-and-slash gameplay on their iOS devices. So get ready to discover the secrets of the town’s caves while playing the role of a warrior, ranger, sorcerer, or assassin.
“With ‘Mines of Mishap’, we’re really focusing on the multiplayer experience and really want to bring fun co-op gameplay with a competitive edge that you can share with your friends wherever you are.” said David Dunnett, art director of Thunderhead Interactive, in a press release.
10Ton’s goofy, pantsless adventure Trouserheart will be hitting the App Store next week. After the chat we had with Jaakko Maaniemi we couldn’t help but have our interest piqued, which makes it nice to know that we won’t have to wait for much longer. So next Thursday you should be all set to take King Trouserheart out and about as he scours his kingdom for his stolen leather trousers!
Instantly accessible hack’n’slash action adventure gameplay
Simple and super fluid touch controls
Lighthearted tone with just the right amount of challenge
Perma-death mode for experienced gamers
Developed with state of the art Unity technology
Epic adventure soundtrack
The first property based on Matsuno’s visionary world will be co-designed by renowned French board game designer Christophe Boelinger, which will be released in 2014. The game introduces the world of Rasfalia in an exciting digital card game played online. The game pits two players against each other in a fast-paced and engaging struggle. Featuring innovative new game play mechanics, the card game will appeal to a wide variety of players through the immersive, strategic game play Boelinger is known for.
Origin8 and 31X Ltd are bringing the classic PC empire builder, Transport Tycoon, to iOS in just a couple of weeks on October 3. This mobile port has been designed and directed by the game’s original creator, Chris Sawyer.
The original was quite a big deal when it first came out in 1994, and fans will no doubt want to get their hands on this once it comes out so they can manage their transportation empire whenever they’d like. No word has been given on a price point yet, but we’ll know first thing next month!
Madfinger Games has recently announced the official release date for their zombie-blasting sequel, Dead Trigger 2, and it’s just a little more than a month away.
The zombie-laden shooter sequel will have a “real time” story that is affected by the interaction and performance of all its players. Each update will shuffle locations around and otherwise change up events based around how everybody performs. Neat!
NimbleBit is following up Pocket Planes with perhaps the next-best transportation option: trains. Yes, Pocket Trains is now a real thing coming very soon, and fans of NimbleBit’s simulation games should be at home here with a refreshed take on the Pocket Planes formula when it releases on September 26th.
This is another simulation game, very similar to Pocket Planes in that players must tote cargo around the world. But instead of flying around, they travel along rail lines. Players start on one continent and must earn money by delivering cargo to various destinations, building new rail lines to more cities, trying to become the head honcho among the world’s railroad tycoons. Oh, and there’s a giant underwater rail that goes from Europe to the United States in the Nimbleverse, apparently.
The game has become somewhat simplified versus Pocket Planes in two key ways: one, because trains only travel on rails, the trains can only travel on paths, and only the rails that they have claimed, so a particularly-colored track can only travel on those colored tracks. It makes managing where everything needs to go much simpler. Secondly, there’s no negative costs incurred through travel anymore, though trains do break down and need repairing with coins or parts from time to time.
New train acquisition has been changed as well, with new parts collected through crates that need to be opened by spending bux. The crates contain random parts, with rarer special crates providing rarer parts. This is the kind of system that some developers could make incredibly IAP-driven, but bux and crates appear commonly enough while playing that they actually feel like a part of the game rather than just a monetization tool.
The bitizens don’t play as much of a role in Pocket Trains: they’re mostly just set dressing, and there’s no customization of the conductors, yet. Still, they provide a flavor that makes the game feel quite familiar. As well, there’s plenty of goofy-looking cargo: why not transport giant platforms of balloons or a giant cola bottle?
But overall, it will be interesting to see how well the simplified take on Pocket Planes goes over: it does feel a bit less stressful while still having some strategy in how rail lines should be laid out. The world will see when the game releases on September 26th.
Mutant League Football is probably one of the (if not the) most beloved alternative football video games in history. At least as far as an adoring, nostalgia-driven cult following goes. And after what feels like decades, because it has been decades, the ultra violent and gloriously twisted take on one of America’s most popular sports is back! Or at least it’s trying to come back.
Series creator Michael Mendheim has turned to Kickstarter to try and bring the spiritual successor of the EA classic to multiple platforms, including iOS! The project is still in the early stages, but the plan is to keep all the violence and tongue-in-cheek humor fans have been craving intact.
As one of those fans who’s been lamenting the distinct lack of Mutant League over the past 20 years, I could not be more excited about this. Of course it’s too soon to know how it’s going to turn out, or even if it’s going to meet its $750,000 goal in time, but simply knowing that the series’ creator is interested in bringing it back is more than enough for me!
Love trains? Well, an exciting and must-see new trailer has released for the upcoming iOS game, Pocket Trains. It features the sexiest sounding horn you’ll ever hear. Well, I guess I can’t say that for sure, but the guy in the video sure got excited about it! Check out the special trailer below!
Ubisoft has announced that Assassin’s Creed: Pirates is being developed for iOS devices, bringing players the chance to sail and explore throughout the Caribbean. Players will take on the role of captain Alonzo Batilla, and it’s their job to manage the ship’s crew, recruit new members, upgrade the ship, and take part in real-time naval warfare. Own the seas!
Assassin’s Creed: Pirates is inspired by the naval battles that were seen in Assassin’s Creed III, which most certainly was one of my favorite things about the game. I can’t wait to take the helm and watch out for those changing weather conditions that will impact the gameplay!
War game fans love tanks. So for the Russian game publisher and developer Game Insight, it seems only appropriate that their next title be a game all about tanks. And with their current focus on mid-core games, Tank Domination should be a perfect fit for the studio when it releases later this year.
Demoed on iPad 4 tablets, I got a chance to take part in several online multiplayer battles with other members of the media, Game Insight’s US staff, and some of the devs – a look at the webcam pointed at them showed them to be focused and determined on the matches at hand.
Tank Domination is a 10-on-10 tank battling game. While Game Insight does focus on free-to-play titles, there’s actual gameplay, not just hands-off simulation! Players drive a tank of their choosing around an open war zone, taking place in a dystopic near future that hopefully won’t come to pass, where mercenaries settle their differences with tanks. Actually, that sounds pretty cool.
Matches are divided into two teams on opposite corners of the map. Each team must try to either take out the other team in its entirety, or to conquer their base, at least in the matches I took part in. There are four types of tanks: light, medium, heavy, and artillery. The lighter the tank, the faster it moves, but the less punishment it can take. The artillery can shoot at enemy tanks that are visible on radar, making the light tanks valuable for scouting out enemies for the heavy hitters to take on. There’s text chatting supported, but the ability to partner up with friends could help out with the cooperative elements. Plus, playing with other people and laughing at them when they’re destroyed is fun.
The game is classified as “mid-core,” bridging the gap between the kinds of free-to-play casual games that have a wide appeal, to the kinds of traditional core games that can be inaccessible to new audiences. The controls are basic, with a single virtual stick to move (and auto-forward option) and a virtual joystick to aim the turret. While figuring out how the tank movement works may take some time, to dive in to it is pretty simple and finding games is clearly meant to be easy. This will help with finding online matches as well – the more seamless, the more populous the multiplayer. The free-to-play monetization aspects come in with currency and credits being earned to buy more shells with different stats, new tanks, and combat enhancements. How free will the game be? That remains to be seen, particularly since the game is clearly still being localized – lots of Russian text remained in the game when I tried it out!
Still, considering that Game Insight is experimenting with a game that features actual, tactical online multiplayer, it’s the kind of advancement in the free-to-play business model that I want to see. There’s no reason why the free-to-play model, which is here to stay, has to exclude the kinds of experiences that satisfy core gamers. Tank Domination, with plenty of tank deathmatches, should definitely be just that.
Everyone loves interactive fiction, right? Ok, I might be a little biased due to my huge love of the genre, but I’m certainly not alone there. Plenty of people love the dark world created by H.P. Lovecraft, too, and his work has proved a fantastic inspiration for many great games and other forms of media. One such title that’s set to capture this spirit is The Moaning Words: a game currently in the midst of a Kickstarter campaign and looking rather promising.
The game is written by Science Fiction author, Alan Dean Foster, and follows a dark investigation across 18 episodes set to be released daily. Players will be able to shape their own adventure through the choices they make. Uniquely, the app will also offer a form of social adventuring with the ability to share one’s story with others as well as invite friends to unlock new content.
Continuing with an original twist on the interactive fiction idea, a card game of sorts will also feature alongside numerous riddles and conundrums. Plus, there’s set to be even more options thanks to the free writing tool that will allow users to create their own story! Not bad, eh?
We talked to co-founder and designer, Manea Castet, to learn more about this ambitious project.
148apps: Did any other books, games, or films influence The Moaning Words, besides H.P Lovecraft? Manea Castet (MC): The design of The Moaning Words was influenced by the Choose Your Own Adventure series of books and popular video games Heavy Rain, Baldur’s Gate, and the Dragon Age series. In fact, our interactive fiction is built around different video games mechanisms. These mechanisms were specifically taken into consideration when writing the alternative [choices] and when designing how players interact with the story.
The first influence of our story is H.P Lovecraft’s body of work. Our app is designed to be a tribute to this well-known author. We believe it will please veteran readers of the “Lovecraftian” stories. It will also be a very good start for people who discover the Cthulhu Mythos for the first time. The story, written by Alan Dean Foster, is contemporary and its events will take place in many countries around the globe.
148apps: Some of the Kickstarter pledge rewards involve gaining a pack of gold to use in game, how will these help in game? Are they crucial to progression? MC: In The Moaning Words, gold is the virtual currency. It can be obtained for free through card games for example. Users will not necessarily have to purchase gold to progress. Every time a user wins a card game, he or she will gain gold.
When people purchase our “Curious” Pack on Kickstarter, we will provide a ‘huge pack of gold’ to start with. Players will then experience the game with more freedom at the beginning. However, anyone can experience the whole story and progress through the 18 episodes without having to purchase anything with actual money. As in many free to play games, the players will have access to premium optional content if [they] decide to purchase it.
148apps: Will it be vital to recruit friends in order to progress, or will it be possible to see everything the game has to offer without? MC: Although recruiting friends will never be vital in order to progress in the game, we think this feature is a lot of fun. Friends will help you shape the story in a different and meaningful way. They have the ability to transform your own adventure. They can also give you information about what happened in their story. You can experience the whole story without inviting any friends.
148apps: How open-ended is the story? How many different endings will it offer? MC: The story has 6 different main endings arcs. However, each arc can and will be modified by the player’s decisions. Each one will be drastically modified by previous choices and by the final decisions. Different characters in the story can disappear or become insane for example. The changes can affect the environment on different scale, grand or small.
148apps: How simple will it be to create your own story? MC: At any time in the app, players can access our writing tool for free. They can either use it directly in the mobile app or on their computer. It is a simpler version of the tool we use. We want it to be as complete as possible. Users will be able to write their fiction, add choices, grant mental sanity points and implement card games in just a few clicks.
No development skills are required to create an interactive fiction; the writer will only need to have a clear idea of the kind of interactive fiction he or she wants to write. Writers can publish their stories directly through the app and will be rewarded if the story is well reviewed by other users.
The Moaning Words sounds like it’s shaping up to be quite an interesting twist on an increasingly popular genre. Keen to be a part of it? Take a look at their Kickstarter campaign for the pledge rewards available.
We’ll be sure to keep an eye on its development. It’s currently set for release later this year.
If 2K Drive wasn’t already on my radar, it sure as heck would be after watching this new developer diary since I’m such a sucker for customization.
2K’s latest video preview of their upcoming racer goes into a bit more detail about something they’re referring to as your “RaceFace.” RaceFace allows you to snap a photo of yourself and put your face on your driver, so you can see a tiny digital representation of yourself behind the wheel whenever you take to the track. You can also customize the look of your doppelganger with helmets and suits.
Of course it’s still primarily about the cars, but now you can put yourself in the game to drive them!
EA Sports is bringing FIFA 14 to iOS for free this fall. It’s going to be packed, too. Over 600 teams from 30 leagues, online multiplayer, and an all new set of touch controls. It’ll also feature the popular “FIFA Ultimate Team” (FUT) mode, which will let players pick their own play style, manage their own team, and compete to earn coins in order to improve everything. And if that isn’t enough, EA SPORTS Football Club Match Day will add an extra layer of realism to your games by adding in-game stories pulled straight from the real world such as injuries and suspensions.
Three premium game modes (Manager Mode, Tournament Mode, and Kickoff Mode) are also available for any players looking to “upgrade their game.” Sounds cool, right? Well FIFA 14 will be coming to the App Store for the iPhone, iPad, and iPod Touch this fall. Presumably around the time its console big brother releases in late September, but it’s just a guess so don’t quote me on that!
Remember all those puzzle games that involve lining up various tiles of paths/pipes in order to guide stuff (ooze, water, data, etc) from one spot to another? Games like Pipe Mania or the hacking mini-game from Bioshock. Well that’s kind of what SwapQuest is, too.
Of course in this instance you have to switch tiles around in order to create a path for your character (either Princess Wilma or Price Wilbert) to walk along as they battle monsters and find treasure. That’s right, SwapQuest is a hybrid of the classic “pipe game” and RPG elements. Personally I think it seems like an interesting combination. But don’t take my word for it, check out the gameplay trailer below and decide for yourself.
SwapQuest is due to hit the App Store “later this year.”
– 12 different areas to explore
– Two playable character: Prince Wilbert and Princess Wilma
– Branching paths and hidden treasures
– Dozens of different enemies to fight
– Magic items, side quests, challenge rooms, fierce boss fights, new game+, and much more…
Halfbrick’s first published title is Band Stars by Six Foot Kid, a free-to-play band manager that shows some promise, or at worst the ability to be amused by random name generators. First seen back at GDC, it’s available right now in Australia, the native country of both developers. I take it for a spin in this installment of It Came From Canada Australia!
The first step to creating a great band is to get a cool-looking band with an awesome name – with nary any great ideas coming to my head, I hit the random name generator a few times, and it came up with “The Black” – simple, succinct, and totally metal. Let’s do this. The goal is to make the band rich and famous by coming up with popular songs, training the band to be better at what they do, and hiring new people to replace the terrible old ones.
Songs are created by assigning band members of different stats to different tasks – imagine the job rankings from Tiny Tower playing a more active role. The band members of Band Stars are multitalented in a way that actual pop stars are often not, being singers, songwriters, multi-instrumentalists, and even willing and able to mix their own tracks. That they even need a manager is kind of a surprise.
Also surprising is that their only real bad habit seems to be energy drinks. Every action undertaken with a band member drains a bar of energy, which can be refilled by letting them rest on furniture or instantly replenished with energy drinks. At least the energy system makes sense as a limiting mechanic here in that a character is actually doing something in-game, rather than it being an arbitrarily-defined limit.
There’s plenty of things to spend the two currencies on. Coins are spent on permanent things like hiring new band members, buying items, and training sessions. Inspirado is used during solos to help raise certain point values on the songs as they’re being created.
How interesting this is long-term and if the monetization gets annoying are still to be seen over time as the game nears worldwide release. Until then, check out footage below of the early days of my band, The Black:
Zynga’s back with another game in their series of -Ville titles. This time, it’s all about building a magical kingdom in CastleVille Legends, currently available in Canada and Australia. I take it for a run in this episode of It Came From Canada!
There’s plenty of the initial hand-holding that many of these building games are prone to have: it starts off by showing everything that’s possible, and giving helpful hints as to what exactly the premium currency, crowns, can be spent on. Because of course that’s necessary. Items that serve as resources can be farmed and used to craft new items which can be sold for gold coins, which help make the castle’s land bigger, which necessitates more gold and more resource farming, and so on ad infinitum. The timers are thankfully short early on, though it’s hard to imagine them staying that way – these games depend on lengthy timers!
Heroes play a key role: they can be sent off on ‘quests’, which means “their avatar disappears for a period of time, after which the player gets a reward.” It’s not a very creative system – signs that anything beyond the idea of questing are not exactly present.
While the game’s mechanics tick off a lot of the “free-to-play gaming by numbers” that many titles have, at least Zynga is focusing on production values here: the art is highly-detailed and everything is well-animated, so it’s one of the nicer-looking experiences of the sort.
The game is currently in testing in Canada and Australia, and it’s likely that its monetization in particular is being put to the test – will this game make any money over time? It’ll be up to how Canadians, Australians, and those pretending to be from there decide it to be. Get a taste of the game now with our video footage.
Avadon 2: The Corruption, the role-playing adventure title from Spiderweb Software, gets a brand-new trailer that shows your enemies gathered and your fortress in ruins. Oh my! This fantasy RPG offers 5 character types, each with unique abilities, and multiple endings to witness. There isn’t an official release date for the game but its currently being pushed for a November launch.
After taking a year to experiment with Madden NFL Social, and then pulling it from the App Store never to be seen again, EA Mobile has decided to try again with taking Madden and making it into a free-to-play turducken. Madden NFL 25 is not the 2025 version of Madden, but is instead named in honor of the series’ 25th anniversary (and quite possibly a way to make next year’s version Madden NFL 14 without anyone being the wiser).
This entry in the preeminent series of American football isn’t actually available in America – well, the United States at least – as EA has decided to test the game in Canada first. This is despite Canada playing a weird game of football with only three downs, longer fields, and something called a rouge. This is American football, exclusive to Canada, making this one strange set of circumstances for an episode of “It Came From Canada.”
The opening tutorial reveals that with the touch controls, this is a much simpler game than the full console versions. But all the important functions are there, all done with gestures. Teams can be built and improved upon through card packs, which can add players from other teams to one’s own team. Yes, it would be possible to get Aaron Rodgers on the Bears, sacrilegious though it may be. There’s the ability to play just standard games, but the bulk of the game seems to be set in challenges and missions, with an energy system to boot.
There’s an asynchronous multiplayer mode where it’s possible to take on someone else’s team, but they’re not actually playing defense; it’s just taking turns playing offense against a computer-controlled defense. The personal element comes in taking on their customized team lineups.
It’s likely that this is as much a test of server load more than it is with monetization as many limited-local releases tend to be, so with the console versions of Madden NFL 25 releasing on the 27th, it’s quite possible that this will be available worldwide on or around then. Until then, enjoy our hands-on footage of the Canadian version of the game.